Wide Awake and Dead to the World (Volcanic Glass)

Prehistorically once flung from the mouth of a volcano,
then frozen by time
into this — dark glass.
It must have been a fragment, I thought at first,
of some antique rural bottle, but
then it dawned on me
that the only thing it could be
was a whole fragment unto itself,
an entire jigsaw puzzle
consisting of only exactly one piece.
Stupidly, I wanted it
to show me another world, or at least
something astonishing hidden in the seams of visual habit —
after all, ours is an era of a myriad of transparencies —
how we long to see through
past the gloss of the surface to voluptuous promise
o so expertly packaged within,
but my toy showed me nothing —
I might as well have been looking through a carrot for the moon —
I was merely blinding myself better in the name of vision.
My friend the carpenter
goes out each day precisely to hit the nail on the head
and to saw with his ruler
down to the nearest millimetre
planks of timber beyond all our wildest dreams.
Perhaps this explained my newfound deep thirst for murk,
for that which was never meant to excite the organs of sight,
for that jagged lens
which will make absolutely no spectacle of itself
under any circumstances: optical point-blank refusal
of all acts of seeing. Geologists, I know,
have a word for it, drenched in Latin. They pronounce
rather than say it:

Photograph: 香港東坪洲 Tung Ping Chau, Hong Kong

3 thoughts on “Wide Awake and Dead to the World (Volcanic Glass)

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