Liquid Free-range

There’s a clever plastic trough with a float
hooked up to a tank: this the chickens ignore.

A wide terracotta dish is more to their taste:
they sip up beakfuls and gargle, half-crowing.

But they are happiest when I pour blunt rivers
from an old can into the dirt, as if water
tasted freshest uncaged.

Learning Cantonese: I Am Lam Eman

“A fat girl singer. I think this is revolutionary in itself!” says 林二汶 Lam Eman in this short video challenging both gender and body stereotypes. Although she was bullied at school for the way she looked, and was called all kinds of terrible names (she shares some of these in her presentation), ultimately, she had the last laugh, becoming successful in the duo at17 in the early 2000s, and then continuing as a celebrated solo artist. If you’re interested, I’ve also added a rough translation of one of her songs, 《我變成我》, with music by 盧凱彤 Ellen Loo and lyrics by the inimitable 周耀輝 Chow Yiu Fai. Give it a listen: any song that uses the words 哲學 jit3 hohk6 (philosophy) and 美學 meih5 hohk6 (aesthetics; the study of beauty) in it must be considered out of the ordinary . . .

You can watch the video here (it has subtitles in both English and Standard Written Chinese).

Caption: 林二汶 | 歌手、專欄作家

親愛嘅林二汶 | 中學嘞 | 大家都開始發育嘞 | 你發嘅肉呢,就多過人好多 | 你有好多名嘅 | 奶王包啦、世紀巨乳啦、水塘啦、死肥婆啦 | 好具畫面嘅名嚟㗎,呢啲 | 你記唔記得嗰個男仔呀?| 第一個叫你同佢出街嗰個男仔呢 | 佢個日問你,佢話:「喂,你不如同我去街呀?」| 你都未嚟得切反應,你淨係轉身咋 | 佢就直接話:「你就 *ya 想呀!」

我細個因為係肥妹呢 | 所以,嗯,加上我有一個好叻嘅阿哥 | 呢樣嘢我諗係好影響我細個嘅時候點樣建立自信心㗎 | 肥妹歌手,我覺得呢一件事已經好革命性㗎喇 | 我竟然可以喺度唱咗十年 | 但係個個都要零號嗮士 | 但係我知道有好多肥妹仔 | 或者有好多其實個形狀唔係一個標準靚女嘅人

● 發育 faat3 yuhk6 = growth; development | ● 發肉 faat3 yuhk6 = lit. “to put on flesh/meat” | ● 奶王包 náaih5 wòhng4 bāau1 = usu. “steamed creamy custard bun” | ● 世紀巨乳 sai3 géi2 geuih6 yúh5 = (the most) enormous breasts of the century | ● 水塘 séui2 tòhng4 = usu. “a pool; a pond” | ● 死肥婆 séi2 fèih4 pòh4 = an insult for an overweight woman | ● 具畫面 cf. 具 geuih6 = to possess + 畫面 waah6 mín62 = scene | ● 出街 cheut1 gaai1 = to go out (to town, shopping, etc.) | ● 去街 heui3 gaai1 = 出街 | ● 建立gihn6 laahp6 = to build; to establish; to set up | ● 自信心 jih6 seun3 sām1 = self-confidence | ● 革命性 gaak3 mihng6 sing3 = revolutionary | ● 嗮士 sāai31 sí62 = size | ● 形狀 yìhng4 johng6 = form; appearance; shape | ● 標準靚女 bīu1 jéun2 leng3 léui25 = a standard pretty girl

Caption: Lam Eman | Singer, columnist

Dear Lam Eman,

You were in middle school now, and everyone was going through a growth spurt [發育 faat yuk]. You put on weight [發肉 faat yuk], much more than other people did. You were called a lot of names: “creamy custard bun breasts”, “boobs of the century”, “wobbling titties” and “rotten fatty” — very picturesque names, these. Do you still remember that boy? He was the first boy to ask you to go out with him. On that day, he asked: “Hey, why don’t you go out with me?” Before I had time to give him an answer, and was only just turning around, he added said at once: “In your dreams!”

The fact I was plump as a little girl, and also had an elder brother who was very clever, affected my ability to establish any self-confidence when I was younger. A fat girl singer. I think this is revolutionary in itself! I’ve actually managed to sing for ten years, when everyone else is desperately trying to be a size zero. But I know that there are many large girls out there, as well as girls with body shapes that don’t fit the typical “pretty girl” standard.

【1:00】我相信佢哋係有得到一啲啓發 | 噉呢樣嘢係我覺得,我入行好有 意義嘅一樣嘢

但係其實你亦都從來冇諗過呢啲咁難過嘅日子、呢啲你唔需要忘記嘅日子 | 係會令你成為今日大家都尊重嘅人 | 你要為自己驕傲,因為你從來都冇放棄 | 從來都冇

I AM ME 我係林二汶 | 你選擇令到呢啲經驗去教你成為一個更加好嘅人 | 你唔叫佢哋做傷痕 | 你叫佢哋做徽章 | 呢一生,呢啲就係你嘅徽章

● 啓發 kái2 faat3 = to arouse; to inspire; to enlighten | ● 入行 yahp6 hòhng4 = to enter the profession | ● 驕傲 gīu1 ngouh6 = ① arrogant; conceited ② be proud; take pride in | ● 傷痕sēung1 hàhn4 = a scar; a bruise | ● 徽章 fāi1 jēung1 = usu. “a badge”

I’m sure that they have gained some inspiration. The fact that I got into the music industry is very significant.

But you never thought that all those very difficult days, days that you must not forget, could make you into the kind of person that people respect. You must be proud of yourself, because you never ever gave up. Never for one minute.

I AM ME. I am Lam Eman. You chose to let these experiences teach you how to become a better person. You don’t call them “scars”. You call them “medals”. These are the medals you will wear throughout your life.

Here are the lyrics for 《我變成我》. You can find the MV here . . .

錯的對 對的錯 | Down-wrong rights, and down-right wrongs
為了太多太多歪理願意學 | Because of too much illogic, I was willing to learn
然後學到識説謊 | Later, I learned just enough to tell lies
我的殼 我的角 | My thorns, my horns
為了太多太多經濟及數學 | Too much economics & too much mathematics
然後學到想正常過 | Taught me to want to lead a normal life

幾多工作 | The more work I do
幾多操控著我 | The more it takes control of me
難道沒法不説謊 | Is there really no way not to tell lies?
一刻閃過 | In a lightning flash
想學掂行掂過 | I wanted to learn how to walk right on by
寧願讓我不正常過 | Preferring to let myself live a non-normal life

歡呼 存在過 | Hooray! I’ve managed to exist
記住沉默容易容易沉默過 | Just remember: keeping quiet makes it easy to go along quietly
從未這麽感覺我 | I’ve never felt myself this way before
一身 存在過 | Without help, by myself I’ve existed
記住麻木容易容易麻木過 Just remember: keeping numb makes it easy to go along numbly
從未像這刻敏銳過 | I’ve never been so sensitive as I feel right now

過一秒 老一秒 | Another second, another second older
問我那些那些一秒便脫落 | Each second asks me about my these & those, then falls away
靈魂熱到想脫光 | My soul is so hot it wants to shed light (or “strip itself bare”)
我的世 我的界 | All my uni- and all my -verse
被我那些那些統統改變過 | Have been transformed utterly by all my these & those
時候遇到想變成我 | What time brings I want to turn it into me

歡呼 存在過 | Hooray! I’ve managed to exist
記住沉默容易容易沉默過 | Remember: silence is easy, it’s easy to get by being silent
從未這麽感覺我 | I have never felt myself this way before
一身 存在過 | Without help, by myself I’ve existed
記住麻木容易容易麻木過 | Remember: numbness is easy, it’s easy to get by being numb
從未像這刻敏銳過 | I’ve never been so sensitive as I feel right now

歡呼 誰是我 | Hooray — so this who is me
記住明白然後承認誰是我 | Remember: when I’ve understood then I’ll acknowledge who I am
從未這麽感覺我 | I have never felt myself this way before
一刻 存在過 | For an instant I’ve existed
記住凝望時代時代凝望我 | Remember: as you look at the times, the times look back at you
從未像這刻敏銳過 | I’ve never been so sensitive as I feel right now

喜歡哲學 | I’m fond of philosophy
喜歡思索更多 | I’m fond of more and more thoughts
來吧!在這刻變成我 Come on! I want to become me in this moment

喜歡美學 | I’m fond of aesthetics
喜歡風格更多 | I’m fond of more and more styles
來吧!在這刻變成我 | Come on! I want to become me in this moment

時候遇到想變成我 | What time brings I want to turn it into me

Jadin Wong’s Infinitives

To say to yourself at the age of six I will be goddess
to my own body for ever;

NOT to get stuck in Stockton, California
or even dream of sticking it out;

to run away at sixteen to Hollywood
before you were run away by humdrum
from imagination’s exceptionally muscular thrill

to give yourself a name no one had used
in the History of the World, ever;

to be called headstrong when you were simply
indomitably clear-sighted about what you wished for;

to join Charlie Low’s Forbidden City nightclub
and find fame on the so-called “chop suey circuit”
as “an Oriental chanteuse with a new slant on life”;

to live head over heels
what you tried to discover you were,
and to defeat regret before it had time to assume
a definite look in your eyes;

to reinvent yourself with the near-sighted birth
of television squinting from corners in American parlours;

to harness as a dancer-turned-comedienne
the blunt energy of Oriental stereotypes, confusing
race-hate and dishing out laughs
both to make them pay and — doubled over —
to make them pay;

to adventure with Death in Germany’s Black Forest,
narrowly missing being blown mid-song
to smithereens;

to be called “Confucian — modern”,
and, appropriately, COOL AS A SNOW-FLAKE;
to wear “eye-popping” cheongsams
split along showgirl thighs
for the Gibson Refrigerator Corporation,
in Hong Kong;

to marry and re-marry
men who could only look up to you
no matter how they were;

to become eventually the superlative
of jade, pirouetting and doing the splits well
into your nineties;

and to wake each day,
startling yourself afresh along the length — and breadth —
of the one life infinitive in you.


After taking a walk to Sha Tin Station that turns into an eerie 白日夢 or “white daydream”, 陳之一 Chan Chi-yat meets his friends at the Lam Kei dim sum restaurant in 大埔 Tai Po. There, they enjoy a well-deserved yum cha meal together with a long discussion of fathers, sons and daughters that seems to touch a real chord or a raw nerve in each of them . . .

Soundtrack: “Oomingmak”






瘦骨仙一聽到呢條問題就即刻再次狼狽咁「哎吔」一聲。不過,經過一番考量之後,佢定一定神就好認真咁開始回答友人提出嘅疑問:「噉其實呢,我覺得生活呢樣嘢真係好奇妙,總會有啲出人意表嘅新鮮事送俾我,『一生福與禍 / 人人必經過』呀嘛!不過呢,呢件事真係嚟得太過突然,我都未嚟得切有任何心理準備,就要面對呢個咁尷尬嘅事實。」跟住,陳之一喺褲袋拎部手機出嚟,喺屏幕上用手指撥弄幾下,揾到阿仔嘅一張相之後,就俾大家睇吓。


「乜係咩?!」澳洲男人深感驚訝咁打個突。「面形唔同,頭髮顔色唔同,佢對眼睇落細過我,鼻哥一啲都唔似,嘴唇特別幼,下巴同我比起又『man』啲!我唔係好明點解你會覺得西夢˙約翰同我似樣喎 !」

「依我睇,」呢位發暗家不慌不忙話:「你哋兩個人淨係憑外表好難判斷心裏面隱藏嘅嘅性格嘅 . . . 」



阿奇連忙加以解釋:「點止咁簡單?! . . . 南半球 . . . 紐西蘭、澳洲都係冬天 . . . 凍凍凍!」聽到呢啲說話,大家覺得阿奇嘅「凍凍凍」特別好笑。

佢嘅南半球同胞即刻更詳細地解釋:「我國家呢方面特別唔掂。四月復活節之後幾乎冇假放、冇乜減少壓力嘅機會,要等到十二月先至到夏天啦、長假期啦、聖誕節啦之類 。至於我呢啲十二月出世嘅人,要捱到年尾先至過生日,嗰種等待既辛苦又難受。我諗,想見到西夢˙約翰,我哋唯有耐心啲等到年尾喇。」

聽完南半球奀瘦男人嘅呢段說話之後,阿綠好似抵受唔住誘惑咁,喺男人耳邊低細語:「怪唔之得澳洲人都係咁黐線啦! 」

不過,陳之一並唔接受佢呢次得出嘅結論,即刻駁嘴:「喂,你千祈唔好將『黐線』同『慈善』混為一談喎 . . . 」


「我阿爸莊梓喺上世紀七十年代好可能同海運大廈商場入便嘅其中一間鋪頭有過某種聯繫。當時呢個商場分成各個區域,啫係『南丫島廊』啦、『長洲廊』啦、『鴨脷洲廊』啦等等,而長洲廊呢個分區入便有一間叫做『藍天美術』 嘅商業畫廊,根據網上嘅資料,廊間唔中會展出莊梓嘅油畫。不過,呢啲作品同佢原本嘅風格完全係兩回事,畫法好唔同,好似係特登為咗迎合外國遊客嘅口味而畫嘅,都係描繪一啲傳統嘅戎克船、落日碼頭、漁民日常生活嘅片段等等。就算技巧非常之優秀,呢啲藝術品其實冇咩深層次嘅意思。八十年代初亦都可以買到莊梓嘅呢類油畫,佢哋仍然受到某程度嘅歡迎,但係之後就好似逐啲逐啲消失嗮咁,石沈大海,點揾都揾唔到嚕。」



「其實,據我所知,長洲曾經有間鋪頭叫『良德玻璃鏡店』,除咗賣玻璃商品之外,亦都可以見到呢類為遊人繪畫嘅戎克船油畫,包括一個姓莊嘅人。良德玻璃而家已經結咗笠,但係長洲有啲做生意嘅人仲記得七八十年代嘅情況。嗰度亦都有個長洲鄉事委員會,其中有個阿伯好可能仲記得當年嘅一啲細節 . . . 」

突然間,阿奇莫名其妙咁用筷子作為鼓槌,沿住茶杯邊輕輕敲起一連串「擊鼓聲」,節奏相當之特別,令到大家頓時停止交談。佢放低筷子,清清嗓子,向周圍嘅朋友好隆重地宣佈:「今日有特別安排 . . . 我哋飲茶飲完之後 . . . 我就帶你哋去嘉道理睇睇動物 . . . 赤麂呀、豹貓呀、箭豬呀、穿山甲呀、領角鴞呀 . . . 都係靚靚靚喎!」



Learning Cantonese: When in Doubt, Take a Walk

黃宇軒 Sampson Wong and 曾梓洋 Eric Tsang made their first “When in Doubt” walking video back in October 2020 and since then have gone from strength to strength. In their work, they combine urban geography with beautiful (don’t take your eyes off what’s happening in the background) images accompanied by a powerful piano soundtrack — at times the fusion is breathtakingly powerful and expresses with verve something of Hong Kong’s elusive city spirit. Recently, they have been experimenting with an added element, conversation, and this led me to transcribe the following video which shows Sampson and his friend Sammy walking through Kai Tak in search of the Kai Tak River. Throughout their journey, Sampson muses on the theme of 重組自然 or “reworking nature”. After finding the Kai Tak River, he comments:

The section of the Kai Tak River which we now see in San Po Kong did in fact undergo this same kind of process. Once upon a time, the residents of the area didn’t necessarily take much notice of its existence. Over the past ten or more years, thanks to the efforts of various parties, it has been transformed into a particularly beautiful part of the urban landscape in San Po Kong. After being beautified, brought back to life and cleaned up, this river is now liked by an ever-increasing number of people.

I still remember the first time I saw a “When in Doubt” video. It featured 石硤尾 Shek Kip Mei and when, after slowly winding his way through the Nam Shan Estate, Sampson reaches Tai Hung Sai Street, my heart nearly skipped a beat as he mooched along past the 彩龍大酒樓 Lucky Dragon restaurant, whose takeaway outlet round the back I visited frequently for lunch back in 2013. There’s something exhilarating about reconnecting with a place in this way, especially when you haven’t seen it for a long time. I felt the same in the video on 屯門Tuen Mun, when special guest Chong Suen strolls past the river channel in the vicinity of Tuen Tsz Wai. How many times have I done the same thing!

You can enjoy the Kai Tak video here. Follow the link to their channel and you can discover more of these walks for yourself. Even in places you might not be familiar with, you will still discover moments of the Hong Kong mystique, when music, image and the rhythm of movement come together in synergy — or perhaps even a sensuous “syn-energy”. You can also read up on the creation of the series in a Zolima Citymag article by Christopher Dewolf entitled “Sampson Wants You to Take a Walk“.

我係《懷疑人生就去》嘅 Sampson。平時我哋 channel 嘅散步片呢,多數都係一個人行嚟行去,而且冇人講嘢嘅。今次我哋試吓做一個新嘗試。

Caption: 懷疑人生就

我約咗 Sammy 出去散步,諗住由啟德行到去新蒲崗。

我哋成日都會話呢,其實城市裏便呢,冇嘢係唔自然嘅,因為即使係最人工嘅東西呢,佢都要用到自然嘅元素,例如呢,係起樓嘅混凝土啦,其實都係嚟自大自然嘅事物嚟嘅。噉所以呢,我哋反而呢,從城市研究嘅角度呢,會話呢,城市呢,就好似喺度 reworking nature 咁,即係重組自然,將大自然嘅一啲元素呢,變成我哋鍾意嘅一個安排,成為咗我哋呢個城市裏便見到嘅事物

● 嘗試 sèuhng4 si3 = to try | ● 元素 yùhn4 sou3 = an element | ● 混凝土 wahn6 yìhng4 tóu2 = concrete (building material) | ● 事物 sih6 maht6 = a thing | ● 重組 chùhng4 jóu2 = to restructure; to reorganize

I’m Sampson, from “When in Doubt, Take a Walk”. In most of the walking videos on our channel there is usually one person walking around here and there. Nobody speaks. But this time we would like to try something new.

Caption: When in Doubt, Take a Walk

I arranged to go out for a walk with Sammy with the intention of going from Kai Tak to San Po Kong.

We are always saying that in a city nothing is unnatural, because even the most artificial things made by humans make use of natural elements. For example, the concrete used in construction comes in fact from natural things. So for this reason, from the perspective of urban research, we tend to say that the city is reworking nature, changing elements from the natural world into arrangements that we like, into the things we see in our city.


另外一個呢,大家成日講嘅大自然嘅元素喺城市裏便出現嘅呢,就係水同埋河流喇。喺香港我哋更加多講嘅係海啦。去到啟德嘅時候呢,我成日都想搵呢,係北邊嘅一段啟德河呢,其實喺邊一度。但係因為最近呢,啟德大興土木呢,有時呢,佢成日都會被一啲圍板圍住嘅。今次呢,我帶 Sammy 呢,行到去呢個圍板望出去呢 . . .

● 河流 hòh4 làuh4 = a river | ● 大興土木 daaih6 hīng1 tóu2 muhk6 = go in for large-scale construction | ● 圍板 wàih4 báan2 = (?) temporary fencing (used for construction sites) | ● 圍 wàih4 = to enclose

Usually, we may perhaps think that Kai Tak is a high-density area, with a lot of people and a lot of buildings, but when we were out walking and if we looked carefully, there were in fact trees everywhere, planted in different ways. Other elements that everyone always talks about as appearing in cities are bodies of water and rivers. In Hong Kong, we talk more about the sea. When I went to Kai Tak, what I really wanted to find was the northern section of the Kai Tak River, which was somewhere here. But because just recently there is a lot of construction work going on in Kai Tak, the view of the river is generally blocked by temporary fencing. On this occasion, I took Sammy to look through the little holes in the fencing . . .

【2:00】 . . . 發現原來呢,喺啲窿仔裏便都見到啟德河嘅存在。第時呢,佢都會成為咗啟德呢一帶呢,最重要嘅風景呀。而家呢一刻呢,可能好多人都唔知道呢,其實北邊呢一部分啦¬——喺啟德呢一部分呢——都有一段啟德河。我哋呢,當日喺啲圍板後便呢,通過啲窿呢,望出去嘅時候呢,發現呢,有好多朋友呢,都跟住我哋一齊去望。佢哋都發現咗呢,原來有一條啟德河喺呢一度。有時呢,觀察城市就係咁呀——你開始去望呢,亦都會引導身邊嘅一啲人去望。原本見唔到嘅城市裏便嘅一啲嘢呢,都會因為你開始去望呢,可以引導其他人一齊去睇。

● 窿仔 lūng1 jái2 = a small hole | ● 第時 daih6 sìh4 = in the future, another day | ● 觀察 gūn1 chaat3 = to observe; to watch; to survey | ● 引導 yáhn5 douh6 = to guide; to lead

. . . and we found that we could see the Kai Tak River. One day, it will become the most important scenic spot in this area. At this point in time, many people may not be aware of this section of the Kai Tak River on the northern side of Kai Tak. When we looked through the holes in the fencing on that day, we found that many like-minded people were taking a look with us. They too discovered that here they could see the Kai Tak River. Sometimes, observing a city is like this. When you start looking at things, this can lead others to look, too. Others can be led to look at things in the city that were once invisible, just because you started to look at them.

【3:00】水呢,以種種唔同嘅形態呢,喺城市裏便存在,亦都係我哋觀察嘅一個目標。由啟德行到去新蒲崗呢,我哋就可以去到新蒲崗呢一邊南段嘅啟德河。呢條河呢,其實好有啟發性嘅,因為呢,十幾年前開始呢,全世界嘅城市呢,都開始覺得河流呢,應該係我一個我哋珍惜嘅資源,唔再係應該將佢覆蓋啦。例如係好似南韓呢,有一個特別著名嘅例子呢,就係清溪川一條呢,原本大家唔鍾意嘅河流呢,幾乎要將佢覆蓋㗎喇。而家呢,重新將佢打翻開變成大家都見到嘅一啲景觀。 我哋而家呢,見到嘅啟德河、新蒲崗嘅呢一段呢,其實都經歷過個咁樣嘅過程。原本呢,居民呢,未必咁留意到佢嘅存在。喺過去十幾年呢,各方嘅努力之下呢,重新將佢變為咗新蒲崗呢一帶呢,特別靚嘅一個城市景觀。經過美化啦、活化啦,同埋潔淨之後呢,大家都越嚟越鍾意呢條河。原本河流好功能性咁樣 . . .

● 形體 yìhng4 tái2 = 1. shape (of a person’s body) 2. form & structure| ● 資源 jī1 yùhn4 = resources | ● 覆蓋 fūk1 goi3 = to cover | ● 著名 jyu3 mìhng4 = famous; celebrated; well-known | ● 景觀 gíng2 gūn1 = a landscape | ● 美化 méih5 faa3 = to beautify | ● 活化 wuht6 faa3 = (?) to vivify; to inject life into (a place)

Water exists in the city in all kinds of different forms and is one of the objectives of our observation. From Kai Tak to San Po Kong, we can get to the southern section of the Kai Tak River in San Po Kong. This river really has a lot to teach us. This is because more than ten years ago cities all over the world began to think that rivers ought to be a treasured resource and should no longer be covered over. For instance, there is the very famous example of the Cheonggyecheon River in South Korea, a river which originally no one like and which people wanted to cover over. Now, it has been opened up again to become a landscape everyone has seen. The section of the Kai Tak River which we now see in San Po Kong did in fact undergo this same kind of process. Once upon a time, the residents of the area didn’t necessarily take much notice of its existence. Over the past ten or more years, thanks to the efforts of various parties, it has been transformed into a particularly beautiful part of the urban landscape in San Po Kong. After being beautified, brought back to life and cleaned up, this river is now liked by an ever-increasing number of people. In the old days, the river linked the local community . . .

【4:00】 . . . 去連結呢個社區。喺好耐之前呢,大家會喺度洗衫啦、打水啦,但係去到今時今日嘅城市河流呢,作為景觀話唔定呢,有另一種聚集街坊、俾大家喺度相遇嘅功能。

我同 Sammy 散步呢一次呢,剛好係榆木盛開嘅季節。我哋都遇到幾樖好靚嘅榆木。唔知大家有冇見得到呢?呢次散步遇上咗好多植物、動物,遇到好多雀仔,亦都呢,透過去觀察水呢,我哋經過咗啟德河。

最後呢,去到彩虹道體育館 . . .

● 連結 lìhn4 git3 = to connect | ● 打水 dáa2 séui2 = to fetch water| ● 話唔定 waah6 mh4 dihng6 = perhaps; maybe | ● 聚集 jeuih6 jaahp6 = to gather; to assemble | ● 街坊 gāai1 fōng1 = neighbourhood | ● 相遇 sēung1 yuh6 = to meet each other | ● 榆木 yùh4 syuh6 = elm | ● 盛開 sihng6 hōi1 = in full bloom

. . . in very functional ways. A long time ago, people would wash their clothes in it and fetch water, but an urban river in today’s world may perhaps, as a scenic landscape, have another function of bringing together the local people.

On this walk with Sammy, it was the season for the elm trees to flower and we encountered several very beautiful elm trees. I don’t know whether you’ve noticed them. On this walk, we came across a lot of plants, animals and birds. In addition, by observing water, we passed along the Kai Tak River.

Finally, we arrived at the Choi Hung Road Sports Centre.

【5:00】. . . 同埋公園附近呢,遇上呢一個我好鍾意嘅一個噴水池。同 Sammy 介紹呢一度嘅時候呢,亦都講到呢,除咗呢一個噴水池呢,一個被人觀賞嘅元素之外呢,呢一帶呢,有好多好好嘅公共空間,好多人喺度休息,入夜之後呢,我同佢繼續行多一陣呢,就結束咗我哋今次嘅旅程。如果你從來未去過啟德,未去過新蒲崗,我建議你呢,跟我哋呢個路線去行吓。唔單止呢,可以用城市與自然做一個切入點,亦都可以留意吓呢一帶有啲乜嘢公共空間同埋公園。可以觀察一下啟德呢個急劇變化中嘅地帶,亦都可以睇吓呢,新蒲崗呢個老區。跟住我哋呢一個題目「城市與自然」周圍睇吓之餘呢,亦都可以發現一啲呢,你感到有趣嘅風景。希望你都去呢一帶散步,然後話返我哋聽,你鍾意睇啲乜嘢啦

● 噴水池 pan3 séui2 chìh4 = a fountain | ● 觀賞 gūn1 séung2 = to enjoy; to admire (a view) | ● 旅程 léuih5 chìhng4 = a journey | ● 切入點 chit3 yahp6 dím2 = (?) entry point | ● 急劇 gāp1 kehk6 = drastic | ● 周圍 jāu1 wàih4 = around; round; about

. . . and in the vicinity of the park, we came across a fountain that I really like. When I was introducing this place to Sammy, I also mentioned that, apart from the fountain, which was one element that was admired in this area, there were many excellent public spaces, which many people used for relaxation. After dark, we went on walking a bit longer, bringing an end to this journey of ours. If you have never been to Kai Tak or San Po Kong, I recommend that you follow the route we took. You can use “City and Nature” as your entry point. In addition, you can also pay attention to the public spaces and parks in this area. You can observe Kai Tak, this area in the midst of drastic change. You can also take a look at the old district of San Po Kong. In addition to having a good look around in accordance with out topic “City and Nature”, you can also find some scenery that you think is interesting. I hope you will come to this area for a walk, then afterwards tell us what you liked.


● It is the 1 July 2019, and the big glass door of the Legco building is being battered by protestors repeatedly ramming it with an old metal trolley. As the glass begins to crack, our main characters — 阿綠 Ah Luk, the New Zealander 阿奇 Ah Ki, Ah Luk’s daughter 孚翠 Fu-cheui and the hapless Australian陳之一 Chan Chi-yat — all react to what they see in the direct broadcast of the events, projecting their personal concerns onto this pivotal moment in Hong Kong’s history.

Soundtrack: “Thank you Disillusionment”


冇耐之後,一點幾嘅時候,阿綠嘅手機屏幕上出現一個戴住帽同埋口罩嘅黑衣男人,佢右手揸住鐵通,跑到立法會大樓門前,不停撞擊玻璃門。喺圍觀嘅人群入面,有唔少人試圖阻止,包括幾個議員(黑衫人:「立法會已經死咗喇!」 胡志偉:「你咁樣撞落去,連你都死呀!」),可惜呢啲勸告一啲作用都冇,玻璃門嘅裂痕越打越長,慢慢呈現類似蜘蛛網般縱橫交錯嘅幾何圖像。「突破 . . .」阿綠喃喃自語。「我而家想有一個細微嘅突破!」同一時間,手持鐵通嘅男人繼續大力咁向玻璃門打落去。

與此同時,喺嘉道理農場值班嘅阿奇,帶住悠閒嘅心情,漫步前往觀音山頂峰。除咗耐唔耐留意一下立法會衝擊嘅直播之外,佢個腦冇辦法停落嚟,無時無刻都諗住自己愛得神魂顛倒嘅嗰個「佢」。過年時雖然喺阿綠屋企請教過杯仙,但阿奇都唔肯定係咪可以捉緊對方,擔心對方有冇同樣嘅心意。但係最近,經歷咗一個既彎曲又奇妙嘅過程之後,終於水落石出,阿奇亦得到佢夢寐以求嘅答案。去到呢個時候,揮動鐵管嘅人已經唔見咗,替佢接力嘅係一班示威者,佢哋唔知喺邊度揾到一架裝住紙皮嘅鐵籠車,來來回回不停咁撞擊佈滿裂縫嘅玻璃門。「係啦!」紐西蘭男人突然精神起嚟,自言自語咁話:「要揾到真愛 . . . 一定要 . . . 一定能夠堅持落去!」呢個時候,另一位立法會議員梁耀忠企喺玻璃門前,盡力勸阻示威者唔好衝擊立法會。但係經過一番理論之後,佢最終被人拉倒,於是嗰架鐵籠車繼續一次又一次咁撞落去。立法會大樓入面嘅警員提高警戒級別,舉起紅旗,試圖透過呢個手段叫停示威者。見到紅旗,阿奇又諗起愛情呢股抵擋唔住嘅魔力。仲記唔記得裸體女模特兒嘅相片?「花花弗弗、冷酷無情」嘅阿奇喺呢一刻,一早已經將被摺埋、擺埋一邊嘅黃小姐忘得一乾二淨。




Otherwise (Another Phantom Memory)

Photo by Peter Du00f6pper on

I met her once.
We hardly spoke two words together.
She “kept house” for her brother,
the brilliant inventor of an artificial crystal
with industrial applications —
the sample on the coffee table
was like a brute chunk of unstained glass.
Silence was her relentless trademark.
She loved, once.
Was jilted, once.
Her heart in that sense was broken for good —
what more could she possibly want from the world?
Her needs were small —
Bedroom. Bathroom. Kitchen. —
and were largely invisible to anyone not herself.
This was her bitter better discovery:
a vast grave universe we can’t/don’t want,
and she, in her other wisdom, a chip of quartz
catching —
not keeping —
the light.
Now all I know is
that her mute declaration of complete independence
comes (if we’re lucky) to the rest of us anyway
after all.
Then the question becomes:
Can we learn in the time we have left on this Earth
what to do for ourselves with her heartending prize?

令我成為創作人嘅天花板 (Martin Booth)




















原文:Martin Booth, Gweilo (2004)