“Hongkongers are a unique community with their own distinctive culture, history, experiences and values. We shall maintain our unique identity and continue to create its timely significance to perpetuate these precious characteristics; our identity, history and cultural values shall be respected and safeguarded, in writing and in recording, to be preserved in multiple ways to counter the biased perspectives fabricated and propagated by the authorities” — these are the opening sentences of the next part of the Charter, simply entitled 香港篇 Hēung1 Góng2 Pīn1 or “Hong Kong Section”.
I will tackle the remaining two parts of the Charter (dealing with mainland China and the international community) in another post, but you can view the entire bilingual document here, together with some information on the initiators. For other help with the Chinese, please consult the Sheik Cantonese on-line dictionary.
● 共同體 guhng6 tùhng4 tái2 = community | ● 身份認同 sān1 fán6*2 yihng6 tùhng4 = (?) identity cf. 身份 = status; identity + 認同 = to identify | ● 傳承 chyùhn4 sìhng4 = to impart & to inherit | ● 抗擊 kong3 gīk1 = to resist; to beat back | ● 諱言捏造wáih5 yìhn4 nihp6 jouh6 = ? cf. 諱言 = dare not or would not speak up + 捏造 = to fabricate; to concoct; to trump up | ● 事務 sih6 mouh6 = affairs | ● 世界人權宣言 sai3 gaai3 yàhn4 kyùhn4 syūn1 yìhn4 = the Universal Declaration of Human Rights | ● 公民權利及政治權利公約 gūng1 màhn4 kyùhn4 leih6 kahp6 jing3 jih6 kyùhn4 leih6 gūng1 yeuk3 = the International Covenant on Civil and Political Rights | ● 三權分立 sāam1 kyùhn4 fān1 lahp6 = separation of powers (i.e. the legislative, executive and judicial powers) | ● 統屬 tung2 suhk6 = ① subordination ② to be subordinate | ● 公權力 gūng1 kyùhn4 leih6 = (?) public rights | ● 彰顯公義 jēung1 hín2 gūng1 yih6 = cf. 彰顯 = to bring out conspicuously + 公義 = justice | ● 解釋權 gáai2 sihk6 kyùhn4 = right to interpret | ● 理應 léih5 yīng1 = ought to; should | ● 以言入罪 yíh5 yìhn4 yahp6 jeuih6 = roughly, “to regard speaking out as a criminal offence” | ● 結社 git3 séh5 = to form an association | ● 撤銷 chit3 sīu1 = to cancel; to rescind; to revoke | ● 檢控 gím2 hung3 = to prosecute | ● 臣服於 sàhn4 fuhk6 yū1 = to submit oneself to the rule of; to acknowledge allegiance to | ● 捍衛 hóhn5 waih6 = to defend; to guard; to protect | ● 底線 dái2 sin3 = the base line; the bottom line | ● 同流合污 tùhng4 làuh4 hahp6 wū1 = wallow in the mire with sb.; to associate with an evil person | ● 上意 seuhng6 yi3 = (?) the wishes/will of those higher up | ● 授權 sauh6 kyùhn4 = to empower; to authorize | ● 治安自理 jih6 [ng]ōn1 jih6 léih5 = ? cf. 治安 = law & order
7. Hongkongers are a unique community with their own distinctive culture, history, experiences and values. We shall maintain our unique identity and continue to create its timely significance to perpetuate these precious characteristics; our identity, history and cultural values shall be respected and safeguarded, in writing and in recording, to be preserved in multiple ways to counter the biased perspectives fabricated and propagated by the authorities.
8. Hongkongers shall have the right to determine the future and affairs of Hong Kong, including any social, institutional and constitutional reforms. Hongkongers shall enjoy a democratic, autonomous and free system. Democracy entails a government and legislature directly elected by the people. By autonomy, it means local affairs are free from the Chinese Communist Party’s interference. Freedom entails the provision of social and economic rights for the people as stipulated by the Universal Declaration of Human Rights and International Covenant on Civil and Political Rights.
9. The Hong Kong government shall implement separation of powers. The judiciary, the executive and the legislature shall not be subordinate to one another. The legal system shall have restricting public power and manifesting justice as the supreme principles. The judges shall adjudicate in accordance with human rights and the rule of law. The highest court shall enjoy the power of interpretation of the constitution.
10. The Hong Kong National Security Law is a draconian law that violates Hongkongers’ freedom of speech, freedom of the person and political freedom, and shall be repudiated immediately. The government shall stop criminalizing speeches, release all political prisoners and guarantee Hongkongers freedom of demonstration, protest, association, publication and speech. The government shall drop all charges against the political exiles.
11. The Chinese Communist Party has been arbitrarily encroaching on Hong Kong’s civil society, destroying the values, principles and moralities of each professional sector, and forcing conscientious Hongkongers to submit to its despotic governance. We urge citizens to hold their bottom line, resist association with the Chinese Communist Party and its evil deeds.
12. Under the Chinese Communist Party’s direct orders and the blind submission of Hong Kong officials, the police force has become an arsenal used by the totalitarian regime to oppress people’s aspirations and rights. The police system must be reformed. A democratic policing system, which truly serves the people, has to be established under the people’s supervision and with the people’s mandate.
Recently, mainland China unilaterally terminated its “One Country, Two Systems” arrangement with Hong Kong. This, its failure to abide by the Sino-British Joint Declaration, which states that the “basic policies of the People’s Republic of China regarding Hong Kong . . . will remain unchanged for 50 years”, and its refusal to fulfil the terms of the Hong Kong Basic Law, especially Instrument 23, which envisages that “the selection of the Chief Executive and the election of all members of the Legislative Council by universal suffrage will be realized in accordance with the Hong Kong Basic Law and this Decision” has caused great dismay and concern in the Special Administrative Region. In response, a group of Hongkongers now living in exile have formulated the 2021 香港約 章Hong Kong Charter 2021 in the hope of finding a way to ensure the honouring of promises made to the people of Hong Kong.
Below, you can read the first part of the Charter in Chinese and English, together with some notes on vocabulary and grammar. The English reads more like a separate version rather than a translation, and you can learn a lot about how written Chinese works by pondering the differences in the two texts.
I will tackle the remaining two parts of the Charter in another post, but you can view the entire bilingual document here, together with some information on the initiators. For other help with the Chinese, please consult the Sheik Cantonese on-line dictionary.
● 以期 yíh5 kèih4 = roughly, “in the hope of”; cf. 期望 kèih4 mohng6 = hope; expectation | ● 立法機關 lahp6 faat3 gēi1 gwāan1 = legislative body | ● 惟 wàih4 = but | ● 專政本質 cf. 專政 jyūn1 jing3 = dictatorship + 本質 bún2 jāt1 = essence; nature; innate character; intrinsic quality| ● 阻撓 jó2 nàauh4 = to obstruct; to thwart; to stand in the way of | ● 主權移交 jyú2 kyùhn4 yìh4 gāau1 = transfer of sovereignty | ● 屢次 léuih5 chi3 = time & again; repeatedly | ● 兌現 deui3 yihn6 = to honour (a commitment, etc.); to fulfil; to make good | ● 暴政 bouh6 jing3 = tyranny; despotic rule | ● 赤色恐怖 chik3/chek3 sīk1 húng2 bou3 = (?) red terror | ● 數以萬計 sou3 yíh5 maahn6 gai3 = by the tens of thousands; numbering tens of thousands; cf. 計 gai3 = to number | ● 盡失jeuhn6 sāt1 = cf. 盡 = to the utmost; to the limit + 失= to lose | ● 動輒 duhng6 jip3 = easily; frequently; at every turn | ● 囚 chàuh4 = ① to imprison ② prisoner; convict | ● 逼害者 bīk1 hoih6 jé2 = cf. 迫害 bīk1 hoih6 = to persecute | ● 強加 kèuhng4 gāa1 = to impose; to force | ● 摧毀 chēui1 wái2 = to destroy; to smash; to wreck | ● 僅餘gán2 yùh4 = roughly, “(those) few remaining” | ● 名存實亡 mìhng4 chyùhn4 saht6 mòhng4 = cease to exist except in name; exist in name only
1. Ever since the Sino-British negotiations in the 1980s, the people of Hong Kong have been striving for a democratic political system, the right to elect truly representative legislators and Chief Executive. Notwithstanding, despite barring Hongkongers to determine their future, the Chinese Communist Party, with its unchanging one-party dictatorship, has been also tightening its totalitarian grip on Hong Kong. Sino-British Joint Declaration and Basic Law have been repeatedly breached by the Chinese Communist Party after the handover in 1997, and their promises of democracy and autonomy – have never been fulfilled. Hongkongers gathered in resistance to the Anti-Extradition Bill Movement in 2019. Facing more atrocious oppression than ever, tens of thousands were arrested. After the imposition of the National Security Law, Hong Kong’s freedom of speech and assembly has been exsanguinated. Numerous Hongkongers have no choice but to leave in exile, while those remaining in their city are living with the constant fear of being politically persecuted on any day. The 2021 electoral reform imposed by the Chinese Communist Party further annihilated the democratic elements in our elections, putting the last nail in the coffin for “One Country, Two Systems”.
● 倡議工作 = advocacy cf. 倡議 cheung3 yíh5 = to propose | ● 如雨後春荀 yùh4 yúh5 hauh6 chēun1 séun2 = spring up like bamboo shoots after a spring rain | ● 離散族群 lèih4 sáan2 juhk6 kwàhn4 cf. 離散 = (?) to leave & become scattered + 族群 = ethnic group | ● 盟友 màhng4 yáuh5 = ally | ● 護港抗共 wuh6 góng2 kong3 guhng6 = roughly “to protect Hong Kong and to resist the communists | ● 凝聚 yihng4 jeuih6 = ① to condense ② to crystallize | ● 社群 séh5 kwàhn4 = community; social grouping | ● 光復 gwōng1 fuhk6 = to recover (lost territory) | ● 籌謀 chàuh4 màuh4 = to devise strategies | ● 矢志 sāt1 ji3 = to pledge one’s devotion | ● 霸權 baa3 kyùhn4 = hegemony; supremacy | ● 壓逼 [ng]aat3 bīk1 = to oppress; to repress | ● 自主意志 jih6 jyú2 yi3 ji3 = cf. 自主 = act on one’s own; decide for oneself + 意志 = will | ● 威權 wāi1 kyùhn4 = authority; power | ● 擴張 kong3 jēung1 = to expand; to enlarge; to extend | ● 守護 sáu2 wuh6 = to guard; to defend
2. With unwavering courage and altruistic sacrifices, Hongkongers have placed the Hong Kong democratic movements under the international spotlight, and Hongkongers have increasingly engaged in international political advocacy. Diasporic Hongkongers will always be garnering support from global allies, to further our cause for freedom and democracy in Hong Kong and to resist the Chinese Communist Party. With the 2021 Hong Kong Charter, we shall unite the diasporic communities, to come together at the international front, for the eventual Liberation of Hong Kong. We vow to stand against the oppression from the Chinese Communist Party, to strive for freedom and democracy in Hong Kong, to continue safeguard our determination for Hong Kong’s autonomy both locally and overseas, to advocate for international collaboration in countering the Chinese Communist Party’s global aggression, and to safeguard the universal values of freedom and democracy.
● 福祉 fūk1 jí2 = blessings | ● 善用 sihn6 yuhng6 = be good at using something | ● 發聲 faat3 sīng1/sēng1 = usu. to make a sound | ● 言論 yìhn4 leuhn6 = opinions on public affairs; expression of one’s political views | ● 團結 tyùhn4 git3 = to unite; to rally | ● 派系之爭 paai3 haih6 jī1 jāng1/jāang1 cf. = 派系 faction + 爭 = to contend | ● 泡沫化 póuh5 muht6 faa3 = (?) to turn into foam cf. 泡沫 = foam; froth | ● 角力 gok3 lihk6 = to have a trial of strength; to wrestle | ● 發揮 faat3 fāi1 = to bring into play; to give play to; to give free rein to | ● 被逼離港者 beih6 bīk1 lèih4 góng2 jé2= those who have been forced to leave Hong Kong | ● 在地 joih6 deih6 = (?) local (lit. “on the ground”) | ● 匡扶 hōng1 fùh4 = to assist | ● 同儕 tùhng4 chàaih4 = usu. “a peer” | ● 身心體魄 sān1 sām1 tái2 paak3 = ? | ● 旨在 jí2 joih6 = for the purpose of | ● 轉型 jyún2 yìhng4 = to be in transition | ● 珍重 jān1 juhng6 = to highly value; to treasure; to set great store by
Notes: The text uses some written expressions involving the co-verbs 為waih6 and 以 yíh5. Firstly, 為 . . . 着想 means “to consider (the interests of sb. or sth.)”, with the somebody or something coming after the 為: 為香港人整體福祉着想 = “to consider all that is good for the people of Hong Kong”. Secondly, 為 . . . 出發 is roughly equivalent to “to start from/proceed from”: 為香港人共同利益出發 = “to proceed from the common good of the people of Hong Kong” or even “to proceed with the common good of the Hong Kong people as our starting point”. Finally, 以 . . . 為依歸 is a similar kind of expression, and means “taking sth. as both the starting point and destination”, perhaps with the suggestion of dependence (依歸 yī1 gwāi1 can mean “to depend on”): 以港人利益為依歸 = “take the interests of the people of Hong Kong as the starting and the end point (for one’s work)”. Expressions of this kind play a big part in more formal, written Chinese and probably have their origins in Classical Chinese.
3. The diasporic communities shall put Hongkongers at the core and work for our wellbeing, for our common interests and values. Diasporic Hongkongers shall speak what cannot be spoken in Hong Kong now, utilizing the precious freedom we have, to voice out for those silenced by the rule of terror in Hong Kong.
4. The Hong Kong resistance shall be making allies and not enemies. Diasporic Hongkongers shall stand united and not fall into the trap of internal conflicts.
5. Diasporic Hongkongers shall lend our helping hands to one another, facilitating the integration of other Hong Kong exiles. Having one another’s back, with the strongest will and the greatest strength, we shall perpetuate the spirits of Hong Kong resistance, until the day we see the Liberation of Hong Kong.
6. Hongkongers’ wellbeing and values shall be the core of our political advocacy work. We strive for Hong Kong’s democratic transformation, to realize the freedom, autonomy and democracy that were promised to Hong Kong.
Beyond the Dream is a novel by the Hong Kong writer 蔣曉薇 Jéung2 Híu2 Mèih4. The thing that first got me interested in it was the setting: there aren’t too many books in any language set in the new town of 屯門 Tuen Mun! To me the place evokes a discordant mix: the concrete river channel that splits the town geometrically in two, the massive architecture of the MTR stations, both at Siu Hong and the terminus, the incessant traffic streaming down the vast Tuen Mun road, the shuttling, metal clatter of the light-rail trains, and towering over it all in the distance, the jagged green ridge of the Tsing Shan Mountain (Castle Peak).
In this 4-minute video put together by 文化者 The Culturist and 網上閲讀平台 the SHKP Reading Club, Jeung gives us some insight into the themes of the book, its two main characters, the young woman 葉嵐 Yihp6 Làahm4 (嵐 means “haze; vapour; mist”) and 阿樂 Aa3 Lohk6, and its subsequent transformation into a very successful film. The Chinese title 《幻愛》 is much more interesting than the English version: to me it suggests a kind of hallucinated love, the word echoing 幻想 “fantasy” (literally, “an unreal thinking”) and 幻聽 “hearing voices” (“an unreal hearing”). You can see how it might have defeated even the most determined translator . . .
The Cantonese highlight in this video is an example of the verb 㧬 [ng]úng2 = “push forward with both hands or body” — you don’t hear it that often, so every encounter is a treat! My trusty 《香港粵語大詞典》 gives two examples of its use, 㧬開度門 = to push open the door, and 㧬嚟㧬去 = (roughly) to push and shove one another. Other treats include the word 鎅 gaai3, used both as a verb meaning “to cut” and in the compound noun 鎅刀, a kind of small knife, somewhat like a Stanley knife (at least, in some contexts); 抌 dám2, a verb with a number of meanings including “to throw away (rubbish)”; and the very Cantonese 第時 daih6 sìh4 = “in the future, another day”. Jeung also reads a passage from her novel at the 2-minute mark. Learning to understand Standard Written Chinese read aloud in Cantonese is a real challenge, and any opportunity to work on this (uneasily mastered) skill is worth taking.
You can watch the video here (Chinese subtitles only). If you want to take a look at the (rough in places) transcription, notes and English translation, please scroll down.
And if you would like to take a look at the trailer for the film with English subtitles, you can view that here.
And remember, if you want the standard jyutping romanization or to check any of the Chinese in the text, please consult the Sheik Cantonese on-line dictionary. You might also like to make use the Ekho Text to Speech Converter if you have trouble matching any part of the transcribed Chinese text to the spoken version. Just make sure you select “Cantonese” under the language menu before you paste cut and text into the relevant box.
● 視點 sih6 dím2 = perspective | ● 發揮嘅空間 faat3 fāi1 ge3 hūng1 gāan1 = (?) room to give free play to | ● 代入 doih6 yahp6 = (?) to put oneself into the shoes of another person | ● 連繫lìhn4 haih6 = (?) connection; link | ● 心思 sām1 sī1 = ① thought; idea ② state of mind; mood | ● 構思 kau3 sī1 = (of a writer) work out the plot of a literary work
It is my feeling that the film is in fact mainly [from] the perspective of Ah Lok. To me, as the creator [去到我自己作爲創作嘅時候呢], I think that in the role of Yip Lam there is still plenty of room in the film for development [發揮嘅空間]. Perhaps because I am a woman too, it is very easy for me to insert myself when I write into a female role and perspective. I spent a lot of time thinking about and plotting Yip Lam’s inner world — what her past was like when she was growing up, and what kind of destiny linked her and her mother together.
● 一幕 yāt1 mohk6 = an act (in a play); perhaps here “a scene (in a film)” | ● 屋企樓下 [ng]ūk1 kéi5*2 làuh4 haah6 = lit. “downstairs of one’s home”, but in the case of a housing estate probably “outside the building one lives in” | ● 撞到 johng6 dóu3*2 = to bump into; to encounter | ● 觸發 jūk1 faat3 = to spark; to trigger | ● 不濟 bāt1 jai3 = useless | ● 不堪 bāt1 hām1 = cannot bear; unbearably; cannot stand; “have had it up to here” | ● 好唔配得阿樂嘅愛 hóu2 mh4 pui3 dāk1 Aa3 Lohk6 ge3 [ng]oi3 = not at all worthy of Ah Lok’s love | ● 㧬 úng2 = push forward with both hands or body | ● 扎醒 jaat3 séng2 = wake up suddenly; wake up with a start; startle from sleep | ● 紅繩 hùhng4 síng4*2= a red cord/string | ● 鎅刀 gaai3 dōu1 = a knife blade, a razor blade; a paper cutter | ● 抌 dám2 = ① beat (with fist); bang; pound ② smash; shatter; stamp (a chop) ③ throw; discard; abandon | ● 賦予 fu3 yúh5 = to bestow on; to endow with; to vest with
I remember that there is a scene in the film in which Yip Lam and Ah Lok bump into Uncle Wong outside the building she lives in [屋企樓下], which sets off conflict between the pair. Yip Lam feels that she is quite . . . // in the past she was both useless and fed up [過去好不濟好不堪]. She felt that she was quite unworthy of Ah Lok’s love for her. After that, she pushes Ah Lok out of her house. After that, she suddenly wakes up at midnight and, seeing the red cord on her wrist, picks up a knife, cuts the cord and throws it in the rubbish bin. This scene may be quite brief, lasting around 8 to 10 seconds, but in it I invest her with [a certain] psychological state. Why it is that she wakes up and does this is something I wrote about in the book.
● 任憑 yahm6 pàhng4 = at one’s convenience; at one’s discretion | ● 任由 yahm6 yauh4 = to allow sb. free reign; jumping over; ignoring | ● 摑 gwaak3 = to slap; to smack | ● 暴戾 bouh6 leuih6 = ruthless & tyrannical; cruel & fierce | ● 嫉妒 jaht6 dou3 = to be jealous; to envy | ● 第時 daih6 sìh4 = in the future, another day
“What she found most difficult to forgive was that her mother let her boy-friends come and go as they pleased, and put up with their touching her whenever they felt like it, never appearing in time to protect her. When her mother found out about her and Uncle Wong, she thought she would be saved, but instead her mother slapped her hard. Weeping, Yip Lam kept repeating, no, no, it’s not what you think, but her mother had no time for her explanations, cursing her ancestors, her genes, cursing that fact that she gave birth [to a child] who was destined to become cheap goods. She knelt down on the ground and looked into her mother’s eyes, but all she saw there was cruelty and jealousy. There was no more care, sincerity or love.” She thinks back over her past, and also thinks that she cannot forgive her mother. And so, she takes the knife and cuts the cord on her wrist. Her mother accepts Yip Lam’s (?) promise to pray for her, and for a future in which they can live together happily (I am not sure if I have understood this sentence correctly).
● 影迷 yíng2 màih4 = film fan | ● 緣故 yùhn4 gu3 = cause; reason | ● 著急 jeuhk6 gāp1 = to worry; to feel anxious | ● 導演 douh6 yín2 = ① to direct (a film, a [play, etc.] ② a director | ● 團隊 tyùhn4 déui6*2 = a team; perhaps in this film context, “a crew” | ● 思考 sī1 háau2 = to think deeply; to ponder over; to reflect on | ● 對讀對比deui3 duhk6 deui3 béi2 = (?) to compare and contrast the book with the film
Many film buffs are very fond of the movie Beyond the Dream. Owing to the Covid-19 situation, cinemas are not open. No one can get into a picture theatre to show their support. I know that everyone is very disappointed about this, or worried, and hopes that the cinemas reopen soon so that they can continue to be able to support the director, and support the whole crew of Beyond the Dream. Apart from the film [side of things], I think that the crew for Beyond the Dream also includes the creation of the novel, [so] everyone can spend some time reading the book. My sense is that this reading is also a kind of deep thinking about things. When you’ve finished the novel, you can make a comparison with the film version — another interesting experience.
Heartbreak and outrage for the families of the 47 individuals accused of “subversion” for taking part in a peaceful political poll. You can watch the video here (there are no subtitles), or scroll down for the transcript, English translation and notes. Since this video was first aired, four of the accused have since been granted bail, including Hendrick Lui Chi Hang.
● 嚴苛 yìhm4 hō1 = harsh (administration of law) | ● 苛刻 hō1 hāak1 = harsh | ● 嚴格 yìhm4 gaak3 = strict; rigorous; stringent | ● 公共領域 gūng1 guhng6 líhng5 wihk6 = the public domain/sphere | ● 咁滯 gam3 jaih6 = almost, nearly | ● 政權 jing3 kyùhn4 = regime | ● 法庭嘅程序 faat3 tìhng4 = (?) the procedure of the court; court procedure | ● 夾埋 gaap3 màaih4 = ① to collude; to conspire ② to pool together | ● 遲吓 chìh4 háah5 = (?) later | ● 夠膽 gau3 dáam2 = courage; (?) to be brave enough | ● 寄予 gei3 yúh5 = to place (hope, etc.) on/in | ● 厚望 háuh5 mohng6 = great expectations | ● 撐住 chaang3 jyuh6 = to put up with; to keep up| ● 崗位 gōng1 wái6*2 = a post; a station
● Emilia Wong, girlfriend of Ventus Lau (劉頴匡 Làuh4 Wihng6 Hōng1):
Basically, these (bail) conditions are extremely harsh, stringent, strict. Having to adhere to these bail conditions basically makes the defendants — the political prisoners — in actual fact tantamount to dead in a social sense and, basically, they cannot exist anymore in the public domain. Basically, it is tantamount to their virtually [咁滯] no longer existing in society anymore. // the bail conditions have already made them.
What exactly is this regime afraid of? [Are they] afraid of dead people continuing to endanger national security? The so-called “procedure” of the court in these past four days [呢咁多日] is, from my perspective, is a piece of theatre that everyone has performed in collusion. Fundamentally it is a pre-written script. So, when you ask me if I have faith in the appeals [which will be heard] later [遲吓], I don’t have the courage to have any hopes for it, because it is nothing but play-acting. Everyone just has to keep on going. There’s nothing else one can say. We just go on at our posts, supporting both ourselves and the people nearest and dearest to us.
● 教導 gaau3 douh6 = to instruct; to teach; to give guidance | ● 良好 lèuhng4 hóu2 = good; well
● Elsa, foster mother of Hendrick Lui Chi Hang:
All these 47 individuals have [acted] for our Hong Kong [UNCLEAR]. Now // by this regime // has ruined this Hong Kong of ours . . .
My whole family, my husband, we have all given him proper instruction. He is a fine young man and what he has is only love, and the pursuit of justice. He is a credit to me.
● 審訊 sám2 seun3 = ① to interrogate; to try ② a trial; a courtroom hearing| ● 出奇 chēut1 kèih4 = ① unusually; extraordinarily ② extraordinary | ● 司法制度 sī1 faat3 jai3 douh6 = the judicial system | ● 扭曲 náu2 kūk1 = to distort | ● 顛倒 dīn1 dóu2 = to turn upside down; to reverse | ● 律政司 leuht6 jing3 sī1 = Department of Justice | ● 法官 faat3 gūn1 = a judge | ● 毫不 hòuh4 bāt1 = not in the least; not at all
There’s nothing extraordinary at all about the result of the trial. It’s what we expected. Because we know with the introduction [立咗] of the National Security Law, the judicial system of the whole of Hong Kong has become completely distorted, and has been turned completely upside down.
The material provided by the Department of Justice was extremely meagre // but it has caused the defendants to be detained for three months, which further proves that the present judicial system under the National Security Law has basically, has completely, is no guarantee of our freedom of speech, we have none at all now. One point I’d like to mention is that many of the defendants accepted some harsh (bail) conditions, preferring to sacrifice their freedom of speech, their own freedom of speech, but the judge couldn’t accept this, and this means that, fundamentally, I am not in the least bit optimistic about the future court trial.
The police carried out this arrest operation three months earlier than [originally planned], and took all 47 of the accused off to court for a trial lasting four days, during which they forbid any family member, any family member, to listen to the proceedings in Courtroom 1. This is our right, but we did not have it. Since the trial [began] four days ago, we have not been able to meet with any of the defendants, and they have not had any opportunity [完全冇] to see their own family.
Furthermore, the prosecution has demanded that the trial be adjourned for a whole three months while a search for evidence is carried out. This is totally unreasonable for the defendants as well as for their family members. It is also out of all proportion and unfair. Here I would like to say that I am extremely saddened and angry. Finally, I would like to call on everyone to continue to support them. Hong Kong Add Oil! Hongkongers Add Oil!
● 倒退 dou3 teui3 = to go backwards; to fall back | ● 堅強 gīn1 kèuhng4 = strong; firm; staunch | ● 收押所 sāu1 [ng]aat3 só2 = reception centre (here referring to the Lai Chi Kok Reception Centre, where the defendants are being held), literally “place for receiving the detained” | ● 同舟共濟 tùhng4 jāu1 guhng6 jai3 = cross a river in the same boat — people in the same boat help each other
● Au Pui-fan (Āu1 Pui3 Fān1), wife of Eddie Chu (Jyū1 Hói2 Dihk6):
This is a group of . . . that is changing Hong Kong, changing Hong Kong politics, as well as changing our current situation in Hong Kong. Hong Kong is headed for a backward falling political situation, and they are pushing back [倒退] the important case of our freedom of speech. It is my hope that [people] all over the world, as well as the people of Hong Kong continue to keep a close eye on this. In addition, as a family member, I hope very much that apart from sadness and outrage, we must be strong. Apart from being strong ourselves, our, our husbands, our wives, our sons and daughters, our students, our friends — our friends inside the reception centre — all of them have to be strong. Now all of us are sitting in the same boat, [so] let us hope that we can all help each other.
● 審判 sám2 pun3 = to bring to trial; to try | ● 被告席 beih6 gou3 jihk6 = the defendant’s seat; the dock| ● 甘願 gām1 yuhn6 = willingly; readily | ● 盡一己之力 jeuhn6 yāt1 géi2 jī1 lihk6 = to do all one can cf. 一己 = “oneself” and 盡力 = “do all one can; try one’s best” | ● 水火 séui2 fó2 = extreme misery | ● 行事磊落 hàhng4 sih6 léuih5 lohk6 = (one’s) behaviour/conduct is open & upright | ● 義人 yih6 yàhn4 = ? cf. 義士 yih6 sih6 = a person who upholds justice
My friends, we are well aware that this present major political trial represents and enormous blow to us all. This is the biggest political trial in Hong Kong’s history, and the 47 individuals who stand in the dock come from different political parties and social sectors [界別]. Some are young and some are old, and some of them are unknown to one another, [but] at a time of great difficulty in Hong Kong they chose to take part in a poll for the LegCo elections and were willing to face unknowable political risks, not for the sake of fame or personal gain but in the hope of doing all they could to save our city from extreme misery. As people, they are honest, their conduct is open and upright, and as upstanding citizens [義人] they are worthy of our respect.
● 當權者 dōng1 kyùhn4 jé2 = someone who is in power; someone who holds power | ● 撲殺 pok3 saat3 = (?) to pounce on & kill off | ● 囚禁 chàuh4 gam3 = to imprison; to put in jail | ● 磨損 mòh4 syún2 = ① wear & tear ② (?) to wear down | ● 斷絕 tyúhn5 jyuht6 = to break off; to cut off; to sever | ● 懲罰 chìhng4 faht6 = to punish; to penalize | ● 歷史關口 lihk6 sí2 gwāan1 háu2 = historical juncture | ● 應對 ying3 deui3 = to reply; to answer; a response
No one could have expected that those who hold power would charge all those 47 people with “conspiracy to commit subversion” in order to crack down on [撲殺] this democracy movement. By putting [democracy supporters] in prison, [the people in charge] hope to wear down their wills, and cut them off from participation in politics, handing them the greatest penalty, while giving the people of Hong Kong the greatest warning. We stand at an important historical juncture. How we respond to this major trial, what we hold onto, what we retain, will have a decisive influence on the political development of Hong Kong as well as how future generations [後人] will come to see us.
● 真相 jān1 sēung1 = the real/true situation; the real/actual facts | ● 鏡頭 geng3 tàuh4 = ① camera lens ② a shot; a scene | ● 善用 sihn6 yuhng6 = (?) to use properly; to make proper use of | ● 時事 sìh4 sih6 = current events; current affairs | ● 懷憂 wàaih4 yāu1 = (?) to harbour worries; to worry cf. 懷 = to keep in mind; to cherish (a positive emotion); to harbour (a negative emotion) | ● 立志 lahp6 ji3 = to resolve; to be determined; to endeavour | ● 臉書 Líhm5 Syū1 = Facebook | ● 懼於 geuih6 yū1 = to fear/dread to do = | ● 評論 pìhng4 leuhn6 = a comment; a commentary; a review
What are we able to do? Journalists can record the real historical facts for us. Documentary film-makers can capture [留下] invaluable scenes for us. Those of you working in the legal profession can make proper use of your speciality to help out as much as you can. Teachers can tell their students about what is happening in Hong Kong right now. Parents must not be afraid to talk about current affairs with their children. Those engaged in study [正在讀書的] [should] endeavour to become individuals with both si seung [ideas] and lei seung [ideals]. And users of Facebook must not be afraid to share various reports and commentaries.
● 用心 yuhng6 sām1 = diligently; attentively; with concentrated attention | ● 可著力之處 hó2 jeuhk6 lihk6 jī1 chyu3 = (?) areas in which one can make an effort, cf. 著力 jeuhk6 lihk6 = to put forth effort; to exert oneself | ● 堅韌 gīn1 ngahn6 = firm & tenacious | ● 退一萬步 tēui1 yāt1 maahn6 bouh6 = even if (such and such were the case); this term appears to imply a high degree of concession | ● 不屈的姿態 bāt1 kūk1 dīk1 jī1 taai3 = ? cf. jī1 taai3 = attitude; pose + bāt1 kūk1 = unyielding; unbending| ● 砥礪 dái2 laih6 = ① to temper ② to encourage
It is my belief that, as long as we are diligent, there are areas in which each of us can exert ourselves and live our lives with a little more tenacity [堅韌]. And even if we accept that is true that we cannot make any immediate changes to the current situation, by living our lives with an unyielding attitude, we ourselves will become different. If we live our lives differently, Hong Kong will also change accordingly, and because we all live on the same patch of land, we see each other, and encourage one another.
● 難以言說 = nàahn4 yíh5 yìhn4 syut3 = indescribable | ● 折磨 jit3 mòh4 = to cause physical or mental suffering; to torment | ● 契機 kai3 gēi1 = turning point; juncture | ● 暴露 bouh6 louh6 = to expose; to reveal; to lay bare
Although a trial of this kind is an indescribable torment to us, at the same time it is an important turning point, exposing the government’s injustice for all to see [暴露於天下], helping the rest of the world to feel greater sympathy for our plight, and bringing us even more closely together in unity. We are allowed to feel sadness. We are allowed to feel outrage. But we must neither despair nor give up. Our 47 friends, who are now undergoing hardships, are expecting this of us, I believe. Together with them, we must write this page of history.
Professor 周保松 Chow Po-chung
This article originally appeared on Stand News here.
Dreams have dissolved and dew has frozen into ice A quiet collapse takes place when the traffic light turns red one steps out but then retreats to the side of the road
Hold on to your wine glass, the world is plummeting white bubbles suddenly well up then vanish into thin air, you have to get closer to hear the majestic fireworks there, and the sea waves recede a quiet collapse takes place when the foam explodes
hot steam, rising up everything is over water flows along the inner wall of the bath tub to the bottom to the black plughole without stopping, and also without a sound
time practiced asceticism to become a cross-harbour tunnel that devours trains, and every type of giant vehicle inside there are countless black bubbles a quiet collapse takes place inside a railway carriage: you, standing in black time are watching your reversed reflection, with your own dark eyes
● Woo Sai Nga, born in Hong Kong, is a member of Fannou Poetry Society. She graduated from the Chinese Department, Baptist University of Hong Kong in 2017 and is now teaching at a secondary school. She publishes poems in literary magazines in Hong Kong and Taiwan, and has won the Youth Literary Award (青年文學獎) and the Award for Creative Writing in Chinese (中文文學創作獎) in Hong Kong. She was the leader of the workshop “Literary Convergence ⸺ May Fourth Hong Kong”, Theatre-in-Education Project (Reading and Writing), held at the Hong Kong Literature Research Centre, The Chinese University of Hong Kong in 2019/20.
● Audrey Heijns, based in Hong Kong, is working at Shenzhen University. Her translations of Chinese literature have been published in literary magazines, including Het Trage Vuur, Twee Ronde, KortVerhaal, Terras, Renditions, Exchanges and Poetry International.
This episode of 港故仔 Kongstories was made to commemorate the remarkable effort of making 100 consecutive videos in as many weeks. It brims with fantastic Kong-optimism and is full of words such as 恩典 yān1 dín2 = grace, 傳奇 chyùhn4 kèih4 = legendary, and 祝福 jūk1 fūk1 = a blessing, words now that possibly only the bravest, most visionary of Hongkongers would dare voice. The inspirational message is summed up in the phrases: 我哋香港人係有能力嘅 | 只要你願意，我哋每個人都可以成就傳奇 . . .
If you are not interested in the Cantonese aspects of the video, please click here to view it — the English subtitles are generally very good.
But if Cantonese is what you’re after, highlights in the language department include the structure 一 … 半 … used with measure words, which seems to convey a sense of “merely” or something like “measly” in English: 拍一條半條 = “to make a measly single video”. Also, there’s the adverb 不間斷 bāt1 gāan1 dyuhn6 = (?) “uninterrupted; without interruption” as well as a number of four-character phrases: 木口木面 muhk6 háu2 muhk6 mihn6 = pudding faced; 一事無成 yāt1 sih6 mòuh4 sìhng4 = accomplish nothing; get nowhere; and 成就傳奇 sìhng4 jauh6 chyùhn4 kèih4 = (?) to accomplish something that becomes a legend.
The episode finishes with a long list of personal names. Apart from being good practice (the list includes some less commonly seen surnames, including 霍 Fok3 and 詹 Jīm1) and you can also use these names to search for further videos in the 港故仔 Kongstories series.
Remember, if you want the standard jyutping romanization or to check any of the Chinese in the text, please consult the Sheik Cantonese on-line dictionary. You might also like to make use the Ekho Text to Speech Converter if you have trouble matching any part of the transcribed Chinese text to the spoken version. Just make sure you select “Cantonese” under the language menu before you paste cut and text into the relevant box.
● 收錢 sāu1 chín4*2 = to charge (money); to take money for doing sth. | ● 拍片 paak3 pín3*2 = (?) to shoot a film; make a video | ● 開埠 hōi1 fauh6 = lit. “to open a (new) port”; generally used to refer to the English settlement of Hong Kong Island | ● 播出 bo3 chēut1 = to broadcast | ● 不間斷 bāt1 gāan1 dyuhn6 = (?) uninterrupted; without interruption | ● 堅毅 gīn1 ngaih6 = firm & persistent; with unswerving determination; with inflexible will | ● 體現 tái2 yihn6 = to embody; to incarnate; to reflect; to give expression to | ● 作爲 jok3 wàih4 = 1. deed; conduct; act 2. to accomplish; to do something worthwhile | ● 傳奇 chyùhn4 kèih4 = legend; legendary| ● 恩典 yān1 dín2 = favour; grace | ● 祝福 jūk1 fūk1 = a blessing; a benediction
● 失意 sāt1 yi3 = to have one’s aspirations, plans, etc. thwarted | ● 盼望 paan3 mohng6 = to hope for; to long for; to look forward to | ● 勉勵 míhn5 laih6 = to encourage; to urge | ● 唔正 mh4 jeng3 = not very good | ● 木口木面 muhk6 háu2 muhk6 mihn6 = pudding faced | ● 一事無成 yāt1 sih6 mòuh4 sìhng4 = accomplish nothing; get nowhere | ● 捆擾kwan3 yíu2 = to perplex; to puzzle (subtitles have 捆綁 = usu. to bind; to tie up) | ● 成就傳奇 sìhng4 jauh6 chyùhn4 kèih4 = (?) to accomplish something that becomes a legend | ● 為別人貢獻自己 wàih4 bīt1 yàhn4 gung3 hin3 jih6 géi2 = to devote/dedicate oneself for others | ● 東方之珠 Dūng1 Fōng1 jī1 jyū1 = the Pearl of the Orient | ● 基石 = gēi1 sehk6 = foundation stone; cornerstone
我係梁淑儀 Lèuhng4 Suhk6 Yìh4 / Zoe Leung 我係文曉光 Màhn4 Híu2 Gwōng1 / Henry Man 我叫黎演樂 Làih4 Yín2 Lohk6 / Lock Lai 我係鄭淦元 Jehng6 Gam3 Yùhn4 / Ken Cheng 我叫藍全傑 Làahm4 Chyùhn4 Giht6 / Manson Lam 我就江富德 Gōng1 Fu3 Dāk1 / Kong Fu Tat 我叫陳浩源 Chàhn4 Houh6 Yùhn4 / Denial Chan 我叫做謝寳達 Jeh6 Bóu2 Daaht6 / Donald Tse 我叫黃明慧 Wòhng4 Mìhng4 Wai3 / Jennifer Wong 我叫霍志鵬 Fok3 Ji3 Pàahng4 / Thomas Fok 我叫黃岳永 Wòhng4 Ngohk6 Wíhng5 / Erwin Huang 我係羅孟慶 Lòh4 Máahng5 Hing3 / Jeff Law 我係張柏淳 Jēung1 Paak3 Sèuhn4 / Dennis Shun 我係阿露。何嘉露 Hòh4 Gāa1 Louh6 / I am Lu 我叫糖兄峰 （潘雲峰） Pūn1 Wàhn4 Fūng1 / I am Poon Wan Fung 我叫麥心睿 Mahk6 Sām1 Yeuih6 / I am Lesley Mak 我哋叫 The Wave 我叫詹家俊 Jīm1 Gāa1 Jeun3 / I am Wallnex Jim 我叫黃子財 Wòhng4 Jí2 Chòih4 / I am Colon Wong
陳健民 Chan Kin-man is a very thoughtful fellow and he uses the videos collected in his 健民書房 series to illuminate Hong Kong’s current predicament by offering ideas and insights from the books he has grappled with. In this episode, he tackles the question “Why do good people suffer?” via the prison letters of Korean democracy activist 金大中 Kim Dae Jung. Along the way, he also brings in a visit to Jimmy Lai, still in detention until his forthcoming trial in April or May, Dostoyevsky’s novel The Brothers Karamazov, and some of the ideas of the French philosopher, priest and palaeontologist, Pierre Teilhard de Chardin.
Chan uses plenty of sophisticated vocabulary, much of which is worth making your own. You’ll notice too that he tends to pronounce the third-person pronoun 佢 as héuih5 and is a heavy user of that common filler 即係 *je!
Please scroll down for my transcription and notes (the transcription is a bit rough in places, but the translation is pretty accurate, because I’ve been able to use the subtitles to fill in the parts I can’t hear clearly). You can view the video here(you are offered subtitles in both English and Standard Written Chinese). Since it is a YouTube video, you can slow down the playback speed if you wish: at 0.75 and 0.5, the sound quality is still good. And remember, if you want the standard jyutping romanization or to check any of the Chinese in the text, please consult the Sheik Cantonese on-line dictionary.
You might also like to make use the Ekho Text to Speech Converter if you have trouble matching any part of the transcribed Chinese text to the spoken version. Just make sure you select “Cantonese” under the language menu before you paste cut and text into the relevant box.
I will add the second part of this episode in the coming weeks . . .
● 黎智英 Làih4 Ji3 Yīng1 = Jimmy Lai Chee-ying | ● 感觸 gám2 jūk1 = thoughts & feelings; feeling (感觸 is regularly used with 深 sām1 = deep)| ● 殘舊 chàahn4 gauh6 = tattered; ragged; worn out | ● 囚衣 chàuh4 yī1 = prison clothes | ● 探訪室 taam3 fóng2 sāt = (?) visitors room | ● 恩典 yān1 dín2 = grace | ● 自有安排 jih6 yáuh5 [ng]ōn1 pàaih4 = (?) has His own arrangements | ● 無怨無悔 mòuh4 yun3 mòuh4 fui3 = have neither complaints nor regrets | ● 堅强 gīn1 kèuhng4 = strong; firm; staunch | ● 支撐 jī1 chāang1 = to prop up; to sustain; to support
Note: The grammar of the sentence 噉做爲一個天主教徒我好相信呢，佢嘅信仰係支撐住佢嘅 actually suggests that Chan Kin-man is himself a Catholic, but in actual fact the phrase 我好相信呢 is an insertion, and possibly even a form of displacement, coming between 做爲一個天主教徒 and the preposition it modifies, 佢.
Welcome all of you to my “Kin-man’s Bookroom”. A few days ago, I paid a visit to Mr Jimmy Lai, an extremely moving, a deeply moving, visit. I also wrote a post about it on Facebook. Of course, I was deeply moved, seeing this media boss dressed in ragged prison clothes sitting on the other side of a glass window in the visitors room. He, however, felt that he lived his life in the grace of God [係活喺上帝嘅恩典裏邊]. He was also of the belief that God had made arrangements of His own [自有安排] for Lai’s existence. Many people have said that he should have left [Hong Kong] long ago, [but] to this he replied that the reason why he has been able to do so much for Hong Kong is because he stayed. He felt that he had nothing to complain of and has no regrets. My sense is that he is exceptionally strong. Since he is a Catholic, I firmly believe that his faith sustains him. However, once he began to talk about his family, and feeling in particular that his family was very worried about him, it was hard for him to go on talking [講唔到説活].
● 内疚 noih6 gau3 = compunction; guilty conscience | ● 還押 wàahn4 [ng]aat3 = (?) to be remanded in custody | ● 受審 sauh6 sám2 = to stand trial; to be tried | ● 宗教性 jūng1 gaau3 sing3 = of a religious nature | ● 金大中 Gām1 Daaih6 Jūng1 = Kim Dae Jung
He even shed tears. As someone who has spent time in prison, I perfectly comprehend this feeling of guilt with regard to one’s family. Less than half an hour after leaving the prison, the government announced that they would continue to add charges against Jimmy Lai by using the National Security Law. He will remain in custody [awaiting trial] until April or May next year. Which means that, even though he has not yet been found guilty, he still has to spend four or five months in prison. This is what the situation is like in Hong Kong. After my visit to him, I thought of a book, one that I am also sharing with you all today in “Kin-man’s Bookroom”. Because my interchange with Lai was of quite a religious nature, it made me think of Kim Dae Jung, [a figure in] Korea’s democracy movement. While he was in jail, he wrote a great many letters. These were put together in a book called Prison Writings. Not a great read I thought when I first read it because it was too religious. Now Kim Dae Jung . . .
● 領袖 líhng5 jauh6 = leader | ● 傳奇 chyùhn4 kèih4 = as an adjective, this means “legendary”, referring to someone “unusual” [奇] whose exploits are “passed on down” [傳] through the ages | ● 中央情報局 Jūng1 Yēung1 Chìhng4 Bou3 Guhk6 = the Central Intelligence Agency | ● 擄劫 lóuh5 gip3 = (?) to abduct | ● 公海 gūng1 hói2 = the high seas | ● 丟抌 dīu1 dám2 = (?) to throw away; to discard | ● 整死 jíng2 séi2 = (?) to kill; to do away with | ● 軍方 gwān1 fōng1 = the military | ● 徘徊 pùih4 wùih4 = usu. “to pace up & down” or “to wander”, but here the context suggests “to hang around” or “to fly back and forth (overhead)” | ● 軍政府 gwān1 jing3 fú2 = a military government | ● 落手 lohk6 sáu2 = usu. “to set about”; perhaps “to lay a hand on” or “to do the deed” here | ● 本土 bún2 tóu2 = one’s native country | ● 光州嘅事件 Gwōng1 Jāu1 ge3 Sih6 Gín6*2 = the Gwangju massacre in the aftermath of the coup d’état of December Twelfth | ● 控告 hung3 gou3 = to charge; to accuse | ● 叛亂罪 buhn6 lyuhn6 jeuih6 = ? cf. 叛亂 = “armed rebellion”
Note: I cannot find a dictionary definition for the compound 擄劫. Also, remember that as a verb 整 jíng2 in Cantonese can take on a whole range of meanings, just like “to make” or “to do” in English. Only the resultative 死 (“dead”) gives the specific meaning of “to kill”.
. . . was a leader in Korea of the democracy movement. Something once happened to him which is the stuff of legends. In 1973, while he was in exile in Japan, the Korean government actually went so far as [竟然] to dispatch members of their own secret service to abduct him and take him back to Korea. [Sailing back] on the high seas, they even went so far as to tie him to a rock [將佢綁咗喺石頭度] with the intention of throwing him down [into the water] in order to kill him. But who would have guessed that the American army had all along known about this matter and so sent an aeroplane to fly back and forth above the ship to keep an eye on it and only because of this, the Korean military government did not go through with the killing. As a result, he was sent back to his own country, Korea. However, in 1980, owing to the Gwangju Massacre, he was charged by the government and sent to [appear before] a military court, where he was accused of the crime of (?) armed rebellion [叛亂罪].
● 死刑 séi2 yìhng4 = the death penalty | ● 入獄 yahp6 yuhk6 = to be put in prison; to be sent to jail | ● 懲罰 chìhng4 faht6 = to punish; to penalize | ● 度 dóu2 = roughly; approximately; almost | ● 單獨監禁 dāan1 duhk6 gāam1 gam3 = (?) solitary confinement | ● 有啲似 yáuh5 dī1 chíh5 = there is something of a resemblance to | ● 軟禁 yúhn5 gam3 = to put sb. under house arrest | ● 陸陸續續 luhk6 luhk6 juhk6 juhk6 = one after another; in succession| ● 容許 yùhng4 héui1 = to tolerate; to permit; to allow | ● 信簡 seun3 gáan2 = ? cf. 簡 gáan2 = letter; note; bamboo slip (for writing on) (In Cantonese 信箋 seun3 jin3 = “letter paper” is not (generally) used, it would seem.)
Subsequently, he was given the death penalty but, under pressure from the United States and Japan, this was reduced [轉咗] to punishment by imprisonment [instead]. As a result, he was put in prison for approximately 6 months, he was in solitary confinement for 5 or 6 months, then after that, he officially went to prison for roughly two years. He spent 5 or 6 months in prison, a bit like what has happened to Jimmy Lai, who is now in solitary confinement. Apart from this spell in prison, between 1985 and 1986 [Kim Dae Jung] was put under house arrest, not officially in prison but under house arrest. So, he spent his time in one form of prison or another [不斷咁樣係坐監] and he lived in danger of his life [受到生命嘅威脅嘅]. While he was in prison and under house arrest, he was permitted to write letters to his family, but only one piece of paper, a sheet of letter paper, on a sheet of very thin paper . . .
● 審查 sám2 chàah4 = to examine; to investigate | ● 叮囑 dīng1 jūk1 = to urge again & again; to warn; to exhort | ● 主旨 jyú2 jí2 = purport; substance; gist | ● 緣起 yùhn4 héi2 = genesis; origin | ● 出邊 chēut1 bīn1 = outside
. . . the whole of [these letters] were written down and were inspected for political content [經過政治審查]. For this reason, there is actually little discussion of political matters [in them]. Basically, the letters talk about things such as religious faith, advising his family how to go about living a good life, and instructing his children about what subjects they should take at university. Now on this occasion I have chosen one letter that was written on 2 November 1985 while he was under house arrest. This letter is one I feel to be a very special letter. It bears the title of [個題目係] “What is This Called My Life?” (sic) [Kin-man then provides a translation in Cantonese]. And “What is This Called My Life?” is the main substance [主旨] of this letter. In this letter, he writes that it all started [佢緣起] when he got up one morning and looked out at the garden outside, and discovered that . . .
● 凋謝 dīu1 jeh6 = to wither & fall | ● 哀愁 ōi1 sàuh4 = sad; sorrowful | ● 依戀 yī1 lyún2 = be reluctant to leave; to feel regret at parting from | ● 承受 sìhng4 sauh6 = to bear; to support; to endure | ● 分離之苦 fān1 lèih4 jī1 fú2 = (?) the pain of separation | ● 憂愁 yāu1 sàuh4 = sad; worried; depressed | ● 想家 séung2 gāa1 = to be homesick | ● 懷念wàaih4 nihm6 = to cherish the memory of; to think of | ● 觸動 jūk1 duhng6 = to move sb.; to stir up sb.’s feelings | ● 厄運 āk1 wahn6 = adversity; misfortune
. . . all the flowers he had planted had all died, apart from the chrysanthemums. It was like the sudden cold snap we’ve had here [in Hong Kong] in these past few days. [In response to] the sudden withering of these flowers, he had very strong feelings of sadness and regret [at the loss]. He says that actually when you feel an attraction for something then you will begin to feel a reluctance to be separated from [it]. And so, you must endure the pain of separation. You may feel reluctant to be separated from some flowers, and when they die, you then have feelings of sadness. If you feel a reluctance to be separated from your family, when you come to be separated from them, for example when you are put in prison, you will also endure a form of pain. When he wrote this letter, he said he was experiencing strong feelings of homesickness and was missing [懷念] his family. For this reason, this letter moved me very much and I can well believe that [what the letter describes] is very much like Jimmy Lai’s situation at present. [So Kim Dae Jung] asks: What actually is this human life of ours? He says that he felt that his own life was filled with a series of misfortunes.
● 無憂無慮 mòuh4 yāu1 mòuh4 leuih6 = not have a care in the world | ● 舒適 syū1 sīk1 = comfortable; cosy; snug | ● 發覺 faat3 gok3 = to find; to detect; to discover | ● 虛度 hēui1 douh6 = to spend time in vain; to waste | ● 後悔 hauh6 fui3 = to regret; to repent
Note: Someone was kind enough to provide the following explanation of the use of 噃 bō1 in this segment: “I think 噃 bō1 is similar, if not identical to 喎 wō1, which is used like a filler word in English, or to express a slight level of surprise. […] And in 佢覺得佢冇後悔嘅噃, it is even more pronounced since he should, in normal sense, feel that life is meaningless and would feel regret upon reflecting on his experience, yet he feels the opposite: he thinks that he had no regrets. In this case, the 噃 is quite useful to express the contrast in a subtle manner . . .”
Just, just as I mentioned just now, didn’t I, he had been through a lot [走過生死], spending time in prison as well as being put under house arrest. He said that he had never been happy in his life. Now what is needed [咩先至] before we can call something a “happy life”? Being free from all worry, and being able to spend time with one’s family. Such a life he had never enjoyed himself, but then he goes on to ask: There are many people whose lives are very comfortable, who are able to spend time together with their families, but do those people feel that their lives have any meaning? He found that this was not the case. Much of the time, such people felt that they had lived their lives in vain. For this reason, then, what was this thing called his life, when all was said and done [究竟]? He had not had those kinds of happiness that ordinary people have, but did he feel that his own life was meaningless? No, he thought, it was not. He felt that he had no regrets. He said if there was anything that he felt to be truly [真真正正] very hard to bear, he thought firstly of his own . . .
● 連累 lìhn4 leuih6 = to implicate; to involve; to get sb. into trouble | ● 報恩 bou3 yān1 = to pay a debt of gratitude | ● 疑惑 yìh4 waahk6 = feel uncertain; not be convinced | ● 殺人放火金腰帶 saat3 yàhn4 fong3 fó2 gām1 yīu1 daai3 = “murderers & arsonists have their purses full of gold” cf. This is part of a longer phrase used to suggest that only the wicker prosper. The second part reads: 修橋補路冇屍骸 and seems to mean something like “those who build bridges & make roads end up as penniless skeletons (?) | ● 義人 yih6 yàhn4 = ? cf. 義士 yih6 sih6 = a person who upholds justice | ● 蒙難 mùhng4 naahn6= (of a revolutionary) be confronted by danger; fall into the clutches of the enemy | ● 謎團 màih4 tyùhn4 = doubts & suspicions
. . . participation in the democracy movement [and how it] had implicated members of his family. This was a very deep guilt. The second thing was that he felt that many people in his life had actually been very good to him and had helped him enormously, but he had never had the chance to repay his debts of gratitude. Now these feelings [connected with] the implication of family members and the failure to repay his debts of gratitude were his . . . If you asked him whether he had any regrets, what he felt quite distressed about were these [two] parts [of his experience]. He said that in fact his greatest doubts about human life had to do with seeing how “murderers and arsonists have their purses full of gold”, while those who tried to uphold justice, good people, fell into the clutches of the enemy [蒙難]. Now this is not the “good people get good things, while bad people get bad things” we often talk about, it’s not like that. He saw that life in the real world was not like that. Now this was a great doubt he had in his life, a tangled mess of doubts and misgivings [謎團]. In this letter, he goes on to talk about something in Chinese history . . .
● 司馬遷 Sī1 Máah5 Chīn1 = Sima Qian | ● 辯護 bihn6 wuh6 = to speak in defence of; to defend | ● 打敗仗 dáa2 baih6 jeung3 = to suffer a defeat; to be defeated in battle | ● 救兵 gau3 bīng1 = reinforcements | ● 嚟唔切 lèih4 mh4 chit3 = not arrive in time | ● 用得不當 yuhng6 dāk1 bāt1 dōng1 = used inappropriately | ● 調配 diuh6 pui3 = to allocate; to deploy | ● 援助 wùhn4 joh6 = to help; to support; to aid| ● 調兵遣將 diuh6 bīng1 hín2 jeung3 = to move troops; to deploy forces | ● 諷刺 fung3 chi3 = to satirize; to mock | ● 伏筆 fuhk6 bāt1 = usu. a hint foreshadowing later developments in a story, essay, etc.; foreshadowing
. . . the story of Sima Qian. Now as everyone knows, Sima Qian was such an important Chinese historian. However, back in those times, in the days when Han Wu Di was emperor, because he [i.e. Sima Qian] came to the defence of a certain general. Because this general had, at the that time, been defeated in battle, so, Han Wu Di wanted to have him [i.e. the general] put to death. [Sima Qian] said that the crime was not his [i.e. the general’s]. It was merely because reinforcements did not arrive on time. He also implied that this emperor made inappropriate use of army personnel [用人嗰陣時]. And so, he [i.e. the general] did not have a sufficient deployment [調配] or support. And as a result, he was defeated. As a matter of fact, he [i.e. the general] showed great courage. Now [Sima Qian’s] comments enraged Han Wu Di, who asked: Are you saying (?) that I don’t know how to deploy my forces? That I made the wrong use of personnel? You are making fun of me! In fact, before that, [Han Wu Di] had not been too pleased with Sima Qian and, when he wrote about his [i.e. Han Wu Di’s] time [as emperor], there were a few hints of things to come [in his History] in which in fact he was talking about . . .
● 不是 bāt1 sih6 = (noun) fault; blame | ● 死刑 séi2 yìhng4 = the death penalty | ● 贖身 suhk6 sān1 = (of slaves, prostitutes) to redeem oneself; to buy back one’s freedom | ● 腐刑 fuh6 yìhng4 = (?) cf. 宮刑 | ● 腐爛 fuh6 laahn6 = 1. decomposed; putrid 2. corrupt; rotten | ● 宮刑 gūng1 yìhng4 = castration (a punishment in ancient China) | ● 閹割 yīm1 got3 = to castrate or spay; to emasculate | ● 羞辱 sāu1 yuhk6 = 1. shame; dishonour; humiliation 2. humiliation; to put sb. to shame | ● 正直 jing3 jihk6 = honest; upright; fair-minded | ● 報復 bou3 fuhk6 = to make reprisals; to retaliate | ● 解開 gáai2 hōi1 = to untie; to undo; to get rid of
. . . Han Wu Di’s faults. The upshot was, Han Wu Di condemned him [i.e. Sima Qian] to death. Now there were two options available for avoiding the death penalty. The first way was to [offer a replacement] by giving a lot of money to buy back your life [贖身]. Sima Qian, however, did not [have lots of money]. The second option was to accept a form of punishment known as fu ying. The fu here is that fu that is used in the compound fu laan, meaning “putrid” or “rotten”. This kind of castration, the carrying out of yim got, castration. Kim Dae Jung made use of this story to say that for a man to accept such a punishment by castration was an enormous humiliation. He was no more and no less than a fair-minded man telling the truth, saying what was true. As a result, [he] was on the receiving end [受到] such a form of retaliation. And so he said good people do not necessarily get good things. And so [the question is]: how do we free ourselves from such a thing? How do we rid ourselves of such uncertainties? In this letter, he states that the writings of two people . . .
● 啓示 kái2 sih6 = enlightenment; inspiration; revelation | ● 《卡拉馬佐夫的弟兄們》Kāa1 Lāai1 Máah5 Jo3 Fū1 Dīk1 Daih6 Hīng1 Mùhn4 = The Brothers Karamazov | ● 杜斯妥也夫斯基 Douh6 Sī1 Tóh5 Yáah5 Fū1 Sī1 Gēi1 = Fyodor Dostoyevsky | ● 俄國 Ngòh4 Gwok3 = Russia | ● 章節 jēung1 jit3 = chapters (this may be one of those words that seems to have a built-in plural sense cf. 船隻 = ships) | ● 跪低 gwaih6 dāi1 = to kneel down | ● 虔誠 kìhn4 sìhng4 = pious; devout | ● 帶動 daai3 duhng6 = to drive; to spur; to bring along | ● 最臨尾 jeui3 làhm4 méih5 = ? in the end cf. 臨尾 = final (Sheik)
Influenced him and made him able to start to see more clearly about things, and to get some illumination. The first was [a book] that I myself liked very much when I was at university, The Brothers Karamazov. This book is a novel written by Fyodor Dostoyevsky. This Russian novel was very popular back in those days when I was studying at university, and it was a very important one. Let me tell you what my feelings were like when I read it. Some of the chapters in it made me want to get down on my knees and pray when I read them, and I felt very pious. But other chapters in the book made me feel that God was already dead, that there was no God in this world. His narrative [佢可以講?] could drive you to [different] extremes. I like this book very much and so does [Kim Dae Jung], who refers to its influence on him. In his opinion, of the three brothers [UNCLEAR] The elder brother argues with his father in the end over a woman and, as a result, the father dies in [rather] particular circumstances. This results in the elder brother being charged with the murder of his father.
This beautiful photograph taken by Joan Law is included in the book she did with the English scholar Barbara Ward called Chinese Festivals. Since the book dates from 1982, I imagine that the children shown in this image are probably in their late 40s or early 50s by now, and I can’t help wondering how they are celebrating the current Chinese New Year in the year 2021 . . .
They play in their own innocent way with powerful forces, with rhythms and symbols the significance of which they instinctively guess at but cannot fully grasp. And yet their game is nothing less than the regeneration of the cosmos. As Barbara Ward writes:
Morally the keynote is renewal. The old year goes, and with it go old misfortunes and old wrongs; the new year comes and brings the chance for starting afresh.
The chance of a fresh start is an invaluable thing. And yet there is a danger inherent in the idea of renewal, especially to the Chinese mind, which tends to associate it with such things as harmony, stability, unity, discipline and peaceful conformity. But do such qualities truly make for a vital world? Thomas Berry provides an answer for us in the following comment in The Great Work:
We might consider, then, that the wild and the disciplined are the two constituent forces of the universe. the expansive force and the containing force bound into a single universe and expressed in every being . . .
Only Earth became a living planet filled with those innumerable forms of geological structure and biological expression that we observe throughout the natural world. Only Earth held a creative balance between the turbulence and the discipline that are necessary for creativity. The excess of discipline suppressed the wildness of Mars. The excess of wildness overcame the discipline of Jupiter. Their creativity was lost by an excess of one over the other.
To me, the main reason why Hong Kong is a world issue and not merely an internal matter for the People’s Republic of China is because, uniquely, Hong Kong is one place ⸺ perhaps the only place ⸺ where the possibility of such an unlikely creative balance was gradually being realized. True, it has entailed great suffering over a long period of time, and countless instances of unjust and inhumane behaviour. And yet this protracted, haphazard social experiment has resulted in a priceless hybrid, in which the Chinese genius for discipline has, to some degree, fused with the Western gift for individual wildness in a way that has not happened anywhere else in the history of humankind, and is not likely to happen again in the foreseeable future.
This hybrid, in which a “creative disequilibrium” exists between wildness and discipline, represents to my way of thinking the only real option for a human renewal in the genuine meaning of the words. Discipline or wildness alone can only bring sterile repetition, disguised beneath constant consumer novelty and sensational technological innovation, in the course of which our planet is increasingly degraded to the point of absolute no return.
So next time you wish someone 出入平安 during this Chinese New Year, think to yourself the following addition: And a Joyous Creative Disequilibrium to you, too!
Even if you’re not really into food, you can still be vitally nourished by Alfred Chan in terms of your Cantonese. His video posts are of a very high quality and, apart from all the detailed discussion of flavours, portions and cooking methods, there is a satisfying amount of very useful grammar and vocabulary to be savoured. Chan has also mastered the use of background music in his presentations, and at no point does the listener to his words have to struggle against an intrusive soundtrack to hear what is being said.
On the grammar front, there are three main points to look out for. Firstly, the fairly rare aspect marker 開 hōi1 makes an appearance in the phrase 酒樓用開嘅煤氣爐, modifying the verb 用 yuhng6 = to use. One of its functions is to suggest habitual action. In Intermediate Cantonese, Yip and Matthews refer to it as showing “habitual aspect”, and give the examples 我哋做開呢行 = We have been in this profession for some time, and 佢用開嗰隻牌子 = He regularly uses that brand. They also note that 開 hōi1 “may have a progressive meaning, indicating continuation of an activity that has already begun”, and this is most commonly seen in the sentence-opening expression 講開 góng2 hōi1 = “Speaking of …” or “On the subject of …” (See Unit 12: Aspect Markers), a phrase regularly encountered in everyday conversation.
Secondly, you are no doubt aware that Cantonese has a number of ways of suggesting approximation. Perhaps 大約 daaih6 yeuk3, an adverb meaning “approximately; roughly”, and 左右 jó2 yauh6, usually added to the end of a phrase expressing an amount, are two of the most common ways of indicating approximation. There are others. In recent times, I have been hearing 到 dóu3*2 used for this purpose (月入都，呃，三萬到呢 = [My] monthly salary, [that was about 30,000 dollars). Alfred Chan, on the other hand, prefers another post-modifying phrase: 咁上下 gam3 seuhng6 háa6*2. You’ll hear it in the following part: 咁其他小菜呢，都應該有返咁上下 = “then other items [on the menu] should be pretty much up to scratch”. Note too the tone change for下, which is usually pronounced in the low-level tone.
Alfred also makes use 零 lèhng4, which cropped up before in the second video in the “A Postman’s Gaze” series. There it was used to modify a certain time: 8 點零鐘 = around 8 o’clock or eight-ish. Here we see it in the phrase 得返廿呀零個大牌檔 with a similar kind of -ish meaning: “only twenty or so dai pai dong’s remain”.
Thirdly, watch out for Alfred’s tendency to use 厘 nēi4*1 rather than 呢 nī1/lī1 for “this”. My impression is that 厘 tends to serve as a contraction of 呢 + 一, but this is only a working hypothesis. I am not sure whether 厘 is the correct character for this: it’s just one I have seen used for this purpose.
In vocabulary terms, there are two adjectives used which contain 身 sān1 as the second character: 乾身 gōn1 sān1 = (?) dry; and 厚身 háuh5 sān1 = (?) thick. My feeling is that these are both used in spoken Cantonese rather than in the written language. There are also a couple of examples of adjectives formed with measure words: 大張 daaih6 jēung1 = big (of a flat object) and 細隻 sai3 jek3 = small (of a squid, which normally takes the measure word 隻). These are still a bit of a mystery to me, but I point them out just so that you can keep them in mind for your own learning.
Other items worth adding to your memory bank include: 興衰 hīng1-sēui1 = the rise & fall; 當眼 dōng1 ngáahn5 = conspicuous; eye-catching; 燶 nūng = to burn; 甩皮甩骨 lāt1 pèih4 lāt1 gwāt1 = to be in bad shape; to have been knocked around; 外脆内軟 [ng]oih6 cheui3 noih6 yúhn5 = crispy on the outside and soft/tender in the middle; and 腍 nàhm = ① soft; tender; mushy ② good-tempered; kind.
You can view the video here. Since it is a YouTube video, you can slow down the playback speed if you wish: at 0.75 and 0.5, the sound quality is still good. And remember, if you want the standard jyutping romanization or to check any of the Chinese in the text, please consult the Sheik Cantonese on-line dictionary.
You might also like to make use the Ekho Text to Speech Converter if you have trouble matching any part of the transcribed Chinese text to the spoken version. Just make sure you select “Cantonese” under the language menu before you paste cut and text into the relevant box.
I received this comment from a visitor to the site that sheds more light on 乾身 and 厚身:
Hello Simon. Would like to share my point about 乾身 and 厚身
The literal meaning of 身 is “body”. As a native speaker, I think 身 can be said as the “subject to be described”, from which the adjective before 身 is the description of the subject.
Normally we use 乾身 to describe a thing/dish that is supposed to be dry or better to be done dry (e.g. fried squid, best form would be dry, crisp but not greasy outside, with a succulent and tender squid inside). Alfred said the dish was 太乾身, meaning that it is fried and the dry outside, but too dry for it compare to the ideal (i.e. inside lose too much moisture, squid becomes tough).
As for 厚身, Alfred use it to describe how the eel is being cut and presented, which it thick and so it simply means the eel was cut in thick slices.
Another interesting note is that in Cantonese, 厚身 can also be used to describe wine too. From my beginner knowledge, it means the the wine has some body to it. Interesting how the two languages used the same manner to describe abstract concepts!
● 坐無虛席 joh6 mòuh4 hēui1 jihk6 = (?) not a single unoccupied seat | ● 第三代 daih6 sāam1 doih6 = the third generation | ● 燒味 sīu1 méi6*2 = siu mei (roasted meat) | ● 小炒 síu2 cháau2 = stir fry; stir fried (Sheik Cantonese) | ● 規模 kwāi1 mòuh4 = scale; scope; dimension | ● 興衰 hīng1-sēui1 = the rise & fall
Note: In the phrase 見證住, the verb “to bear witness to” is used with the aspect marker 住 jyuh6 to indicate that the initial act of witnessing is maintained over a period of time (as the English verb “bearing” suggests).
Hello, everybody, I’m Alfred. When [I] filmed this video, it was the middle of March. In the past few days, [the temperature] has already [got to] 20-odd degrees, so I won’t be filming this place [anymore] and in another two months’ time I wouldn’t be willing [我應該唔肯] to come [here]. Just take a look: from one end of the street to the other, in all the various individual shops [幾個鋪位] [that make up this restaurant] there is not an empty seat. It is said that they have been in business for more than sixty years, this being the third generation [of owners (?)] now. [Back in] the 1950s, they sold rice congee and pork cheung fan in the mornings, and siu mei roasted meat after midday. Later on, they began to do stir-frying as well, gradually developing to the scale [we see] today, and bearing witness to the rise and fall of Hong Kong’s dai pai dong culture.
● 牌照 pàaih4 jiu3 = licence plate; licence tag | ● 當眼 dōng1 ngáahn5 = (?) conspicuous; eye-catching | ● 合倂 hahp6 (?) ping3 = (?) to merge; to amalgamate | ● 稱呼 chīng1 fū1 = to call or address; a form of address (perhaps even “the name you give to sth.; what you call sth.”)
On the subject of dai pai dong’s, first of all we must be clear about [要睇清楚] how the character for pai should be written [排 or 牌]. Apparently in 1921, the British Government in Hong Kong created [分] two types of licences for hawkers, a stationary hawkers licence and a mobile hawkers licence. The former was called “a big licence”, while the latter was known as “a little licence”. They say that this was because the actual licence tag for fixed hawkers was really bigger [in physical size] and had to be displayed in a prominent place when the stall was in operation [開檔嗰陣]. [This went on] until the 1950s, when the government combined “big licences” with those for cooked food stalls, and so the term dai pai dong or “big licence stall” appeared.
● 平民小菜 pìhng4 màhn4 síu2 choi3 = everyday dishes for ordinary people | ● 有齊 yáuh5 chàih4 = to have everything
[When we] take a look at the menu, [we find that] it features all those typical, commonly seen everyday dishes for ordinary people. There’s a lot of choice. I don’t need to mention prices — you can all see for yourself. As I’ve said before, I’m not much in favour [我唔太讚同] of expressions such as “eating the shop rent” or “eating the cost of renovations”. How much something sells for in the majority of cases is determined by the market price.
● 氣爐 hei3 lòuh4 = (?) a gas oven | ● 猛 máahng5 = ? hot; fierce | ● 火水爐 fó2 séui2 lòuh4 = a paraffin stove | ● 燶 nūng = to burn | ● 連鎖酒樓 lihn4 só2 jáu2 làuh4 = a restaurant chain | ● 電磁爐 dihn6 chìh4 lòuh4 = electric induction cooktop
Note: 鑊氣 wohk6 hei3 is a difficult term to translate into English. In a recent article entitled “Pop Cantonese: Big Wok 大鑊”, Erica Fong explained it as follows: “The wok is one of the most common tools in Chinese cooking –– a large, bowl-shaped pot made especially for stir-frying. Chefs are often lauded for their mastery of wohk6 hei3 (鑊氣, “wok essence” or “wok breath”), using intense heat and flames to add that all-important smoky flavour and aroma to their dishes” (you can read the article in Zolima City Mag here).
As for 小炒王, this literally means “little fried king”, but it seems to refer to a dai pai dong style mixed stir fry with chives and squid (there’s a link to a video showing how the dish is made here). An interesting feature of this segment is the use of 嘅 ge3 to form indefinite nouns, for example 香港部分鋪頭 | 用嘅 = what is used/the thing that is used (in some Hong Kong shops) and 呢度用嘅 = what is used here/what they use here.
To try out the wok hei one of course has to eat the siu chaau wong. In some places [鋪頭] in Hong Kong, what they use is a gas stove and actually the strength of the flame is not very intense. What they use here is a paraffin stove, and as you would have seen from those shots at the beginning of this video, the strength of the flame was pretty intense. One piece of the squid was scorched [燶], but on the whole the [dish] was very tasty. I don’t know whether you’re aware of this or not, but some restaurant chains in Hong Kong have, in recent years, switched to using electric induction cooktops because in this way [因爲咁樣] kitchens are [kept] cleaner, quieter, and cooler — they also say that less capital is required. But when it comes to wok hei, [the result] is far inferior to that [obtained by] a paraffin stove or the coal gas stoves [煤氣爐] used in restaurants.
Caption: 椒鹽炸鮮魷 $98 | Salt and Pepper Deep-fried Squid
● 指標性 jí2 bīu1 sing3 = (?) indicative| ● 高分 gōu1 fān1 = a high mark; high marks | ● 脆漿 cheui3 jēung1 = batter (for deep-drying food) | ● 均匀 gwān1 wàhn4 = even; well-distributed | ● 咬 ngáauh5 = to bite | ● 甩皮甩骨 lāt1 pèih4 lāt1 gwāt1 = to be in bad shape; to have been knocked around | ● 調味 tìuh4 meih6 = to flavour; to season (food) | ● 惹味 yéh5 meih6 = Sheik: appetizing; add flavour to food | ● 改善空間 gói2 sihn6 hūng1 gāan1 = room for improvement | ● 乾身 gōn1 sān1 = (?) dry cf. 《香港粵語大詞典》形容乾貨或事物不帶水份或水份好少的狀態 (describes dry goods or foods that have no moisture content or very little moisture content) | ● 外脆内軟 [ng]oih6 cheui3 noih6 yúhn5 = crispy on the outside and soft/tender in the middle
Salt and Pepper Deep-fried Squid is one of those dishes [食物] that I think is a real indicator [好指標性嘅] [of a restaurant’s calibre]. If a restaurant or a dai pai dong does this dish well, then other items [on the menu] should be pretty much up to scratch [有返咁上下]. This dish today just by the look of it scores a very high mark indeed [做得好高分]: the thickness of the coating is just right and very even, [so that] when you take a bite, it doesn’t, as we might say, “lose both the skin and the bones” [甩皮甩骨]. The seasoning too is very appetizing. In many other places, the taste of this dish is too bland and flavourless. The only room for improvement is that this evening the squid was rather small and the flesh thin, making it too dry when eaten, [so] failing to achieve the food texture [口感] of crispy on the outside and soft/tender inside.
● 現場 yihn6 chèuhng4 = a site; a spot; on-the-spot | ● 收音 sāu1 yām1 = (?) to record the sound of sth.
You . . . you ought to be aware by now why I rarely do on-the-spot recordings. The reason is that in most environments, as a matter of fact, that it is fundamentally impossible [收唔到音]. Especially here [in this place] today.
Caption: 銀山砵酒鱔球 $148 | Eel Balls Cooked in Silver Mountain Port Wine
● 銀山砵酒鱔球 Ngahn4 Saan1 Jau2 Sihn? Kauh4= (?) Eel balls cooked in Silver Mountain port wine cf. 砵酒 būt1 jáu2 = port wine| ● 肉質 yuhk6 jāt1 = the texture of meat | ● 腍 nàhm = ① soft; tender; mushy ② good-tempered; kind | ● 彈性 daahn6 sing3 = elasticity; flexibility | ● 厚身 háuh5 sān1 = (?) thick cf. 《香港粵語大詞典》厚實 = thick | ● 尾位 méih5 wéi6*2 = portions from the end; portions from the tail (of the eel, in this context)
Here we have [厘味係] eel balls cooked in Silver Mountain port wine. This evening’s eel is a very fine one, very plump and the flesh is of that kind that is tender and has a bit of spring to it [有少少彈性]. The chef [師傅] has chopped it into large portions [切得好厚身], and not just bits from the tail-end. The serve is more than enough, with over ten pieces [of eel]. The flavour is delicious. If the port-wine flavour of the dish were a little stronger, it would be even more delicious.
● 例牌 laih6 paai4*2 = (?) cf. Sheik [3] [n] same old stuff; usual/ordinary thing [literal] regular menu
Note: The literal meaning of 搭救is “to come to the rescue”, but it is not quite the same in Cantonese. 雖然價錢唔平，但份量搭救 basically means although the dish is quite expensive, there is a lot of food on the plate –– the quantity of the food saved the day and offset the negative side (the high price). A friend in Hong Kong provided another example: 佢唔靚女，但性格搭救, which means although she is not pretty, she has an excellent personality. On top of that, using 搭救, we put the emphasis on the positive side of something/someone while pointing out the negative side.
The portions of the three dishes today were very substantial, and more than the usual thing you get in restaurants. For two people it was extremely filling. Although not cheap, the [size of the] serves well and truly made up for it.
Caption: 撞到觀衆！| [We] Bumped into a [Regular] Viewer!
● 全盛時期 chyùhn4 sihng6 sìh4 kèih4 = period of full time; perhaps here “in its/their heyday” | ● 街市熟食檔 gāai1 síh5 suhk6 sihk6 dong3 = (?) cooked food stall inside a wet market | ● 冬菇亭 dūng1 gū1 tìhng4 = mushroom hut; mushroom pavilion (a cluster of dining pavilions so named because of the distinctive shape of their roofs; usually found in older public housing estates) [冬菇亭是香港公共屋邨独有的一種設施，正式名稱是熟食亭，是一個四方形、尖頂的小型建築物，屋頂中間有拱形排氣口。因為外形像冬菇，被人們稱為「冬菇亭」] ● 有心 yáuh5 sām1 = to have a mind to; to set one’s mind on
To many people [喺好多人心目中], dai pai dong’s are also the most characteristic feature of Hong Kong’s food culture. It is estimated that, in their heyday, there were 2-300 such stalls in Hong Kong. But with the development of society, increased demands on the part of citizens with regard to the standards of hygiene, the emergence of cooked food stalls inside wet markets and mushroom pavilions, [as well as] other government policies, only twenty or so dai pai dong’s remain in the whole of Hong Kong. But there is really no conflict between environmental concerns and the preservation of food culture. It’s only a matter of whether the government has a mind to do it or not. What memories do you have of dai pai dong’s?
