“When I Walk up the Footbridge” by Woo Sai Nga, translated by Audrey Heijns

Woo Moon & Footbridge Image

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“When I Walk up the Footbridge”

Sometimes I am inclined to
acceptance that vehicles driving along the road naturally
tend to get stuck in one direction
and refuelling is never a solution
susceptibility in extreme weather can only accelerate expansion or shrinkage
roads that are cracked open
people smashed to pieces
the world is supposed to be like this, full of defects
and we are fragile throughout

At other times, for example
in the face of headwinds, when my fringe is ruffled
it is easy to believe that
what I once accepted has already aged, and will eventually
be like the cracks in the road,
the people who repair the road,
will have to be us

……………………………………………………………………………………………………………………………………………………..

〈當我走上天橋〉/ 胡世雅

有時我傾向接受
路上的車當然會向同一方向堵塞
加油永遠不能成為辦法
過份易感只會在極端天氣下加速膨脹或收縮
裂開的是路面
破碎是人
世界本應如此,充滿缺陷
而我們始終脆弱

也有一些時候,例如
逆風的日子,當瀏海翻動
便又輕易相信
曾經接受過的已經老去,終會
像路面斷裂
而修路的人
會是我們

……………………………………………………………………………………………………………………………………………………..

● Woo Sai Nga, born in Hong Kong, is a member of Fannou Poetry Society. She graduated from the Chinese Department, Baptist University of Hong Kong in 2017 and is now teaching at a secondary school. She publishes poems in literary magazines in Hong Kong and Taiwan, and has won the Youth Literary Award (青年文學獎) and the Award for Creative Writing in Chinese (中文文學創作獎) in Hong Kong.

● Audrey Heijns, based in Hong Kong, is working at Shenzhen University. Her translations of Chinese literature have been published in literary magazines, including Het Trage Vuur, Twee Ronde, KortVerhaal, Terras, Renditions, Exchanges and Poetry International.

“Cycle” by Woo Sai Nga, translated by Audrey Heijns

Woo Sai Nga_Cycle Image TWO_25 APR 2019

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When only a few lamps are left on a winter night
he is left with the bitter cold,
with only a very small piece of cardboard
Why doesn’t he pull in his frozen ankles and curl up
to keep warm, amid the heart beats and
moist breath, or groom a dream
back to the time when
the bed was large, his parents still young and him
longing for tomorrow

How could he not have thought
of the risk of death as
possibly the only door left ajar
that could be fully opened
to escape the old body, just like
all the broken bowls and cups
that will eventually return with new contours

But only summer nights return, while he
unexpectedly starts to feel affection
for his cardboard, his groomed dream and when
the wind blows, and carries away sweat stains, unexpectedly
he happens to find
some leaps in rain-like drops dripping, spraying
as well as vague palpitations of existence, like
streets after the rain, wet old newspapers, a gleam of light
on the back of a cockroach, reflecting in his eyes
until the next winter night

……………………………………………………………………………………………………………………………………………………..

〈週期〉/胡世雅

當冬夜只剩幾盞燈
他剩下寒冷,
和一張過細的紙皮
就收進凍僵的腳踝吧,蜷縮
在心跳和微濕的呼吸下
取暖,或豢養一個夢
回到那個時候
床很大,父母未老而他
嚮往明天

對於死亡,他怎會
沒有過危險的想法
那可能是唯一的
裂縫像半掩的門可以徹底打開
可以逃離舊的軀體,就像
所有曾經破掉的碗和杯
終會以新的外形歸來

但歸來的只是夏夜,而他
竟然開始貪戀
他的紙皮,養出的夢以及
風過,帶走汗漬黏膩,他竟然
還可以找出
一些躍動,類似雨點滴落,濺開
以及一些有關生存的
微微的脈搏,例如
雨後的路,沾過水的舊報紙,蟑螂的背部
帶光,映在眼眸
直到下個冬夜

……………………………………………………………………………………………………………………………………………………..

● Woo Sai Nga, born in Hong Kong, is a member of Fannou Poetry Society. She graduated from the Chinese Department, Baptist University of Hong Kong in 2017 and is now teaching at a secondary school. She publishes poems in literary magazines in Hong Kong and Taiwan, and has won the Youth Literary Award (青年文學獎) and the Award for Creative Writing in Chinese (中文文學創作獎) in Hong Kong.

● Audrey Heijns, based in Hong Kong, is working at Shenzhen University. Her translations of Chinese literature have been published in literary magazines, including Het Trage Vuur, Twee Ronde, KortVerhaal, Terras, Renditions, Exchanges and Poetry International.

“The City” by Woo Sai Nga, translated by Audrey Heijns

Woo Si Nga_Tonglau Photo_29 MAR 2019

Please scroll down for the Chinese version!

Old-style Chinese apartment buildings have listened to ten years’ worth
of falling rain, they have
listened to the stories of this city
Love and hate have aged him
sharpened time, made it unbearable
chewing him up, along with his times

On the train tall buildings flash past like on tv
passengers anxiously grab seats
then quietly abandon themselves, or leave themselves
watching how history hollows itself out to drive the train,
to take over the responsibility for playing the part of existence

Who cares about those dozing old-style Chinese apartment buildings
with those faded photos of newlyweds on the wall,
the calendars from which no page will ever be torn,
slippers left behind, or a towel that has been used right to the end of a lifetime?

Who will collect
the missing strokes from the Chinese characters in the neon signs
the mannequin from Rose Studio looks transparent and pale
the factory building is like the shed shell of a caterpillar, desolation in the forgetful city?

The compartment is so crowded that only eyes can move
I am berthed in a sea that does not yet exist
allowing the street lights to dissolve, and to make me ebb away
the new city is waiting for us
to lose our way in it, coming from far away

……………………………………………………………………………………………………………………………………………………..

〈城〉/胡世雅

唐樓聽了十年雨
聽這個城市的故事
愛與恨使他衰老
使時間尖銳而不可承受
嚼食他與他的時代

車廂播映高樓更迭
乘客急於搶奪位置
靜靜棄置自己,或者離開
看歷史成為渣滓推動列車
負責扮演存在

誰會在意那幢打瞌睡的唐樓
掛著褪色的新婚照
一頁不會被撕下的日曆
遺下的拖鞋,或一條用了終身的毛巾

誰會蒐集
霓虹缺了一劃
玫瑰影樓的女模特透明而蒼白
工廠大廈像毛蟲褪去的殼,荒涼在善忘的城

車廂擠擁得剩下眼睛
我停泊在一片未存在的海
任由街燈溶化,後退
新的城市等待我們
迷路,從遠處走來

……………………………………………………………………………………………………………………………………………………..

● Woo Sai Nga, born in Hong Kong, is a member of Fannou Poetry Society. She graduated from the Chinese Department, Baptist University of Hong Kong in 2017 and is now teaching at a secondary school. She publishes poems in literary magazines in Hong Kong and Taiwan, and has won the Youth Literary Award (青年文學獎) and the Award for Creative Writing in Chinese (中文文學創作獎) in Hong Kong.

●Audrey Heijns, based in Hong Kong, is working at Shenzhen University. Her translations of Chinese literature have been published in literary magazines, including Het Trage Vuur, Twee Ronde, KortVerhaal, Terras, Renditions, Exchanges and Poetry International.